“What Have I Done?” by Mark Clifton

What Have I Done by Mark CliftonOne of the side-effects of reading through all the annual best-science-fiction-of-the-year anthologies is discovering new writers. Well, new to me. I believe all the writers I’ve encountered so far from 1939-1952 are now dead. Often this spurs me to research these forgotten SF authors, which tends to lead to learning more about the history of the genre.

I keep stumbling over little forgotten classics of short science fiction. Today I read “What Have I Done?” by Mark Clifton in The Great SF Stories 14 (1952) edited by Isaac Asimov and Martin H. Greenberg. This oft reprinted story first appeared in the May 1952 issue of Astounding Science Fiction. It May of 2020, it will be reprinted in What Have I Done? – The Stories of Mark Clifton. You can read the title story by itself here.

Clifton died in 1963, so his career in science fiction was just over a decade. In 1955, he did win a Hugo for best novel that he co-wrote with Frank Riley, They’d Rather Be Right. It is probably the least known, often the most disliked of all the Hugo winning novels, and somewhat controversial – see Miles Schneiderman’s “They’d Rather Be Right: Getting it Wrong.” Evidently, some fans felt the novel won because of a pro-Scientologist vote.

“What Have I Done?” is the only story by Mark Clifton I remember reading, although I once bought a copy of Eight Keys to Eden but didn’t get into it. I now feel I need to try it again. Since it’s available at LibriVox I’ll give it a listen.

“What Have I Done?” is a fine little story that tickled my sense of science fiction, interesting enough to write about, and to make me want to read more Mark Clifton. For such an unknown writer Clifton did get eight works into our citation database. Clifton’s claim to fame was the psychological insight into characters he got from being a personnel manager. Clifton claimed to have interviewed over 200,000 people. (I find that hard to believe – let’s say a 20-year career, meaning 10,000 people per year, divided by a work-year containing 250 days, means 40 people a day. That’s too many to handle.)

I also have a problem writing about these old stories. To explain why I find them worthy of recommending means revealing spoilers. Odds are, most readers reading this essay won’t track a story down unless I make them sound uber-enticing, but to do that I have to give away details.

The basic setup in “What Have I Done?” involves an unnamed psychologist for an employment office interviewing a man whom he quickly decides is not human. Notice how Clifton’s biography works into the story. When his fictional alter-ego confronts the guy the alien asks:

"Where did I fail in my test?" he asked. His lips formed a smile which was not a smile—a carefully painted-on-canvas sort of smile.

Well, I'd had my answer. I'd explored something unique, all right. Sitting there before me, I had no way of determining whether he was benign or evil. No way of knowing his motive. No way of judging—anything. When it takes a lifetime of learning how to judge even our own kind, what standards have we for judging an entity from another star system?

At that moment I would like to have been one.. of those space-opera heroes who, in similar circumstances, laugh casually and say, "What ho! So you're from Arcturus. Well, well. It's a small universe after all, isn't it?" And then with linked arms they head for the nearest bar, bosom pals.

I had the almost hysterical thought, but carefully suppressed, that I didn't know if this fellow would like beer or not. I will not go through the intermuscular and visceral reactions I ex­perienced. I kept my seat and maintained a polite expression. Even with humans, I know when to walk carefully.

"I couldn't feel anything about you," I answered his ques­tion. "I couldn't feel anything but blankness."

He looked blank. His eyes were nice blue marble again. I liked them better that way.

There should be a million questions to be asked, but I must have been bothered by the feeling that I held a loaded bomb in my hands. And not knowing what might set it off, or how, or when. I could think of only the most trivial.

"How long have you been on Earth?" I asked. Sort of a when did you get back in town, Joe, kind of triviality.

"For several of your weeks," he was answering. "But this is my first time out among humans."

"Where have you been in the meantime?" I asked. "Training." His answers were getting short and his muscles began to fidget again.

"And where do you train?" I kept boring in.

As an answer he stood up and held out his hand, all quite correctly. "I must go now," he said. "Naturally you can cancel my application for employment. Obviously we have more to learn."

I raised an eyebrow. "And I'm supposed to just pass over the whole thing? A thing like this?"

He smiled again. The contrived smile which was a symbol to indicate courtesy. "I believe your custom on this planet is to turn your problems over to your police. You might try that." I could not tell whether it was ironic or logic.

At that moment I could think of nothing else to say. He walked out of my door while I stood beside my desk and watched him go.

Well, what was I supposed to do? Follow him?

I followed him.

This isn’t a major idea for a science fiction story, not in 1952, but it gets better. For one thing, the psychologist reads science fiction. That has a recursive feel that delights me. Second, it’s important to remember that 1952 was during the early days of the flying saucer craze. If people believe aliens were hot-rodding around the skies, why not wonder if they were applying for jobs. Plus, this is Clifton’s first science fiction story, and he sold it to the legendary John W. Campbell. Campbell loved to discover new writers, but he also wanted to shape them to follow his personal philosophy. Campbell was a species-ist. He believed his writers should not show aliens being superior to humans. And Clifton’s aliens were way superior to us. How can Clifton pull off an ending that pleased Campbell? He does, but the icing on the cake is how Clifton ultimately outwits Campbell too (I think). Explaining the ending will be up to you. Are humans really superior?

This might be far-fetched, but I wonder if “What Have I Done?” also applies to Clifton letting himself be coopted by Campbell. Or is that some bullshit I’m giving out to get you to read the story?

JWH

 

 

 

The Year’s Best Short Science Fiction: 1951

1951

It’s been almost six months since I covered the science fiction short stories for 1950. Bleiler and Dikty added a new annual for 1951, Year’s Best Science Fiction Novels — but by that, they mean novellas. It took me a while to track down all three volumes and read them. These annuals are getting expensive on the used market. The Bleiler/Dikty volumes are running $40-75 in the low range with a dust jacket, and the Asimov/Greenberg paperbacks $10-20. I get the feeling there are more old SF fans like me going back and rereading these old best-of-the-year anthologies.

Here are the stories Bleiler and Dikty picked in 1952 for the best of 1951:

  • “. . . And Then There Were None” – Eric Frank Russell
  • “Appointment in Tomorrow” – Fritz Leiber
  • “At No Extra Cost” – Peter Phillips
  • “Balance” – John Christopher
  • “Brightness Falls From The Air” – Idris Seabright
  • “Dark Interlude” Mack Reynolds & Fredric Brown
  • “Extending the Holdings” – David Grinnell
  • “Flight to Forever” – Poul Anderson
  • “Generation of Noah” – William Tenn
  • “The Hunting Season” – Frank M. Robinson
  • “Izzard and the Membrane” – Walter M. Miller, Jr.
  • “The Marching Morons” – C. M. Kornbluth
  • “Men of the Ten Books” – Jack Vance
  • “Nine Finger Jack” – Anthony Boucher
  • “Of Time and Third Avenue” – Alfred Bester
  • “The Other Side” – Walter Kubilius
  • “A Peculiar People” – Betsy Curtis
  • “The Pedestrian” – Ray Bradbury
  • “The Rats” – Arthur Porges
  • “Seeker of the Sphinx” – Arthur C. Clarke
  • “The Tourist Trade” – Wilson Tucker
  • “The Two Shadows” – William F. Temple
  • “Witch War” – Richard Matheson

Then in 1985 Isaac Asimov and Martin Greenberg picked these stories as the best of 1951:

  • “A Pail of Air” – Fritz Leiber
  • “Angel’s Egg” – Edgar Pangborn
  • “Breeds There a Man–” – Isaac Asimov
  • “Dune Roller” – Julian May
  • “The Fire Balloons” – Ray Bradbury
  • “I’m Scared” – Jack Finney
  • “The Marching Morons” – C. M. Kornbluth
  • “Null-P” – William Tenn
  • “Pictures Don’t Lie” – Katherine MacLean
  • “The Quest for St. Aquin” – Anthony Boucher
  • “The Sentinel” – Arthur C. Clarke
  • “Superiority” – Arthur C. Clarke
  • “Tiger by the Tail” – Alan E. Nourse
  • “The Weapon” – Fredric Brown
  • “With These Hands” – C. M. Kornbluth

I’ve bolded the single overlap, “The Marching Morons.” Then the current 2020 version of The Classics of Science Fiction Short Stories list only has one story having a minimum of 8 citations to make the list: “The Sentinel” by Arthur C. Clarke. But here’s all the stories in our database with at least 2 citations:

Classics of Science Fiction Short Stories 1951

1951 didn’t produce a lot of famous science fiction short stories. Many are familiar to me, but I don’t know about modern, younger science fiction fans. “The Quest for St. Aquin” was voted into the first volume of The Science Fiction Hall of Fame. And “The Marching Morons” and “… And Then There Were None” were voted into The Science Fiction Hall of Fame Volume 2A that was for novellas. And “The Sentinel” is famous because it was the original seed for 2001: A Space Odessy.

Last year I listened to “… And Then There Was None” by Eric Frank Russell when the audiobook of Science Fiction Hall of Fame Volume 2A came out. I thought it okay. At the time it triggered a fond memory. I had two science fiction reading buddies in high school, Jim and George. I remember a day when George told us two Jims about this humorous science fiction story. He was very excited about it and wanted us to read it. Well, it took over fifty years for me to bump into “… And Then There Was None.” This year, when I reread it, it was a good deal funnier. I’m finally getting why George was so amused. It would make a great film because of how colorful Russell had his characters dress and act. And Eric Frank Russell is growing on me.

Each year, I’m becoming more and more impressed with Fritz Leiber. I liked rereading “The Pedestrian” by Ray Bradbury, but it wasn’t as good as I remembered it when I first read it in high school. I was so taken with Peter Phillips “At No Extra Cost” that I reviewed and reprinted it. I was also very impressed by “Angel Egg” by Edgar Pangborn and started collecting his books. And of course, “The Quest for St. Aquin” is a masterpiece that deserves to be remember as a classic. And I liked “Izzard and the Membrane” so much that I gave it its own review.

That’s the thing about all these stories, they are being forgotten, and that makes me sad.

I started reading science fiction short stories systematically with 1939 and I had looked forward to getting to 1951 because that was the year I was born. I had hoped to discover it was a spectacular year for science fiction. It didn’t produce many notable novels either, except for The Day of the Triffids, The Illustrated Man, and Foundation.

The Classics of Science Fiction 1951

Here’s a list of all the short stories and novels in our database with at least one citation for 1951. Short stories are in double-quotes, and novels are in italics.

The early 1950s was a boom time for magazine science fiction. I believed the boom peaked in 1953 with some forty SF titles on the newsstands. Here are some of the covers to remember 1951 by:

Astounding 1951

F+SF 1951

Galaxy 1951

Startling Stories 1951

New Worlds 1951

Super Science Stories 1951

Thrilling Wonder Stories 1951

Imagination 1951

I was disappointed that my birth year 1951 wasn’t a giant year in science fiction, but I get the feeling times are improving and the 1950s are going to produce some great stories. The variety of writing styles and themes have been expanding since the late 1940s. I’m not sure why the 1940s are considered the Golden Age of Science Fiction and the 1950s the Silver Age. As I read through each year it feels like science fiction is getting better and better.

James Wallace Harris, 1/29/20

 

Can Science Fiction Predict the Future?

“Izzard and the Membrane” by Walter M. Miller, Jr. first appeared in the May 1951 issue of Astounding Science Fiction. Follow the link to read the story online because it’s unlikely you’ll have access to it in an anthology. What a shame. I read it in Year’s Best Science Fiction Novels: 1952 edited by Everett F. Bleiler and T. E. Dikty, but that anthology is rather hard to find. I can’t believe “Izzard and the Membrane” hasn’t been reprinted more often. In his review, Alec Nevala-Lee says it’s one of his ten favorite science fiction stories of all-time.

I thought “Izzard and the Membrane” a top story for 1951, but not necessarily a classic. I don’t want to describe any of its plot details because of spoilers. The reason why the story grabbed my attention is it’s an early tale of an emergent AI, downloading consciousness, and maybe even artificial reality. As Nevala-Lee points out, very few science fiction stories predicted the impact of computers or the internet. Izzard is an intelligent being inside a cold war military computer. I was born in 1951 and that was the first year that commercial computers were sold. It was also the year that Alan Turing imagined the Turing Test. Wikipedia says artificial intelligence was founded as an academic discipline in 1956, but I don’t know how early people were talking about the concept. 1951 was also the year Nimrod, an early computer game was shown to the public. (See photo at top.) (Computer games were imagined in SF even less than AI.)

I suppose Miller could have been a widely-read man who knew about computers. Evidently, Miller was trained as an engineer, and during WWII a radioman and a tail gunner. He got into writing and screenwriting in the 1950s. Is it that hard to imagine intelligence emerging out of computers? I don’t think so. I think its a much bigger jump to imagine our minds being recorded into computers, especially in 1951. There are two other far-out creations in “Izzard and the Membrane” that I don’t want to spoil the story. I found them less exciting because they were too far out for me, even though one of them has gotten very popular in science fiction in recent years.

Walter M. Miller, Jr. was never a prolific writer but wrote a number of SF stories in the 1950s, three of which were made into his famous fix-up novel A Canticle for Liebowitz. David N. Samuelson has a good overview of Miller and his work in Science Fiction Studies.

What I want to explore is Miller’s effort to imagine the future. We know science fiction writers can’t predict the future. That they aren’t seers with crystal balls. But some science fiction writers can close their eyes, take what they know, and extrapolate ideas into a story that years later feels like some kind of insight into the future. Most early science fiction was about space travel. I’d say the second most popular theme was either robots or utopias/dystopias. Computers have shown up regularly but mostly after they were invented, but not before. At least as far as I know — except for one surprising exception — “The Machine Stops” by E. M. Forster. This 1909 novelette imagined a world run by a machine, with people using it to communicate with each other. It essentially imagines blogging, networking, Wikipedia, among other aspects of our cyberworld. It’s very eerie to read today.

“A Logic Named Joe” by Murray Leinster also feels like a prophecy. With “The Machine Stops” and “A Logic Named Joe” readers didn’t hear The Twilight Zone theme music until the internet was created. If I had read “Izzard and the Membrane” in the 1960s when I first started reading science fiction I wouldn’t have thought much about it. Of course, if I had read it after reading Heinlein’s 1966 novel, The Moon is a Harsh Mistress I would have thought Miller had beat Heinlein to the punch and been impressed. But Izzard was never the charming character as Mike.

“Izzard and the Membrane” only becomes really fascinating when it’s placed within the context of science fiction that explores the same theme. It makes me believe we’re asking the wrong question and should ask: “Can science fiction predict future science fiction?”

  • 1909 – “The Machine Stops” by E. M. Foster
  • 1946 – “A Logic Named Joe” by Murray Leinster
  • 1951 – “Izzard and the Membrane” by Walter M. Miller, Jr. 
  • 1957 – They’d Rather Be Right by Mark Clifton and Frank Riley
  • 1960 – Vulcan’s Hammer by Philip K. Dick
  • 1961 – A For Andromeda by Fred Hoyle and John Elliot
  • 1966 – Colossus by D. F. Jones
  • 1966 – The Moon is a Harsh Mistress by Robert A. Heinlein
  • 1968 – 2001: A Space Odyssey by Arthur C. Clarke
  • 1968 – Stand on Zanzibar by John Brunner
  • 1972 – When HARLIE Was One by David Gerrold
  • 1979 – Hitchhikers Guide to the Galaxy by Douglas Adams
  • 1981 – “True Name” by Vernor Vinge
  • 1984 – “Press Enter _” by John Varley
  • 1989 – Hyperion by Dan Simmons
  • 1992 – Galatea 2.2 by Richard Powers
  • 2009 – Wake by Robert Sawyer
  • 2013 – Her, a film by Spike Jonze
  • 2015 – Ex Machina, a film by Alex Garland
  • 2016 – We Are Legion (We Are Bob) by Dennis E. Taylor

These are the other science fiction stories I’ve read over my lifetime that dealt with computers that could think, or people downloaded into computers. I’m sure there are others I’ve read, but I can’t remember them for now, and even more, than I haven’t.

When you know all these stories, Miller’s story becomes more impressive. “Izzard and the Membrane” came in first in the August’s Analytical Laboratory, but Campbell reports the second-place story had more first-place votes. If it had been a major story with readers it would have had a score closer to 1.00.

Analytical Labortory

I couldn’t find any letters in Brass Tacks that praised the story, and there’s very little about it on the internet today. The story was never collected into one of Miller’s short story collections. It does appear to be Miller’s second published SF story, so maybe he didn’t think it very good.

I don’t think science fiction ever comes close to predicting the future. Look at this news clipping. Sounds very prophetic, doesn’t it?

2020-01-21 07.35.55

Well, here’s a 1952 newsreel about Dick Tracy’s wrist radio. How much imagination does it take to imagine what Mark R. Sullivan imagines above?

Was the 1966 communicator in Star Trek really that far out? What science fiction stories had Walter M. Miller read that inspired “Izzard and the Membrane?” Where did Chester Gould get his idea for a wrist radio? The more I study the past, the most I see the present in it. If we read about a cellphone in Shakespeare we would think him a time traveler. Before Marconi, was anyone talking about radio communication? There are powerful seers in this world, but they don’t see into the future but into the nature of reality.

If I wrote a story about life in 2100 and readers found it to be much like their times, it would not be a prediction or a lucky accident. Whatever I wrote that resonates with the future would have to exist right now. If my story was about the collapse of the United States due to climate change and many of the story elements become similar to what will happen it could only be because I could see those elements happening now. Even if I imagined an alien coming to Earth and saving us from ourselves and that really happened, could I claim any more credit than Jesus or Klaatu?

If science fiction didn’t exist, we still would have gone to the Moon. If AI emerges out of complex computers it won’t be because of science fiction. I’m beginning to wonder just how much science fiction intersects with reality. I used to think science-fictional ideas were seeds that grew. Now I’m wondering if science fiction isn’t just weird holographic reflections of reality.

James Wallace Harris, 1/25/20

Brave New World by Aldous Huxley

Brave New World by Aldous Huxley

I first read Brave New World in high school back in the sixties. Rereading it again in 2020 reveals that it was entirely over my teenage head. I doubt I got even 5-10% of Aldous Huxley’s satire. Although I expect high school and college students of today have both the education and pop-culture savvy to understand it better than I did, it’s really a novel to read after acquiring a lifetime of experience. When I first read Brave New World I was already mass consuming science fiction so it was competing with shiny gosh-wow sense-of-wonder science fiction. I remember liking Brave New World in places, especially the free sex and Soma, but I thought the story somewhat boring and clunky.

This time I discovered why it’s a masterpiece. Listening to Michael York’s wonderful audiobook narration also revealed innovative prose that I would have missed with my tone-deaf inner voice. I can’t recommend the audiobook edition highly enough. York also revealed places where Huxley was experimenting with quick scene cuts, maybe influenced by the recent talkies when he was writing in 1931.

There’s no reason to summarize Brave New World because Wikipedia has done a superb job. What we need to explore is why this literary science fiction story is still worth reading after 88-years, when nearly every other science fiction novel from the 1930s is almost forgotten today. Looking at the Classics of Science Fiction list shows only five books from the 1930s making our list, and all five were from England:

  • 1930 – Last and First Men by Olaf Stapledon
  • 1932 – Brave New World by Aldous Huxley
  • 1935 – Odd John by Olaf Stapledon
  • 1937 – Star Maker by Olaf Stapledon
  • 1938 – Out of the Silent Planet by C. S. Lewis

Of course, damn few science fiction books had hardback editions in the 1930s. Brave New World had 30 citations we considered assembling the list:

  1. 1949 – The Seventeen Basic SF Titles – Arkham Sampler
  2. 1952 – Astounding Magazine, the Twenty-Eight All-Time Best SF Books
  3. 1956 – Astounding Magazine, The Twenty-Six All-Time Best SF Books
  4. 1974 – Modern Science Fiction edited by Norman Spinrad
  5. 1976 – The World of Science Fiction by Lester Del Rey
  6. 1976 – Anatomy of Wonder, 1st Edition by Neil Barron
  7. 1977 – “A Basic Science-Fiction Library” from The Road to Science Fiction by James Gunn
  8. 1984 – The Science Fiction Source Book edited by David Wingrove
  9. 1987 – Anatomy of Wonder: A Critical Guide to Science Fiction, 3rd Edition by Neil Barron
  10. 1994 – The Ultimate Guide to Science Fiction by David Pringle
  11. 1996 – “North American College Courses in Science Fiction, Utopian Literature, and Fantasy” edited by Arthur B. Evans
  12. 2002 – Strictly Science Fiction: A Guide to Reading Interests by Diana Tixier Herald and Bonnie Kunzel
  13. 2003 – The Cambridge Companion to Science Fiction edited by Edward James and Farah Mendlesohn
  14. 2004 – Anatomy of Wonder: A Critical Guide to Science Fiction, 5th Edition by Neil Barron
  15. 2009 – 1000 novels everyone must read (science fiction section)
  16. 2011 – NPR Top 100 Science-Fiction, Fantasy Books
  17. 2011 – Internet Top 100 SF/Fantasy List
  18. 2012 – Locus Poll Best 20th Century Science Fiction Novels
  19. 2012 – AbeBooks: 50 Essential Science Fiction Books
  20. 2016 – Radium Age Sci-Fi: 100 Best Novels of 1904-1933 by Josh Glenn
  21. 2016 – Goodreads Best Science Fiction 100
  22. 2016 – Ranker: The Greatest Science Fiction Novels of All Time
  23. 2016 – Amazon: 100 Sci-Fi & Fantasy Books to Read in a Lifetime
  24. 2016 – Gunn Center for the Study of Science Fiction: A Basic Science Fiction Library
  25. 2016 – Goodreads Best Science Fiction & Fantasy 200
  26. 2016 – Best-Sci-Fi-Books: 31 Best Literary Science Fiction Books
  27. 2016 – Sci-Fi Lists Top 200 – the novel
  28. 2019 – Worlds Without End: Most Read Books of All-Time
  29. 2019 – The Best Sci-Fi Books of All Time – Penguin Random House
  30. 2019 – 100 Best Sci-Fi Books of All Time – Reedsydiscovery

Brave New World is also considered among the top literary novels of the 20th-century. The Greatest Books site calculates it’s the 67th greatest book of all-time from using these lists:

  1. 5th on The Modern Library | 100 Best Novels (Modern Library)
  2. – 15th on Waterstone’s Books of the Century (LibraryThing)
  3. – 16th on Radcliffe’s 100 Best Novels (Radcliffe Publishing Course)
  4. – 21st on Le Monde’s 100 Books of the Century (Le Monde)
  5. – 24th on Koen Book Distributors Top 100 Books of the Past Century (themodernnovel.com)
  6. – 31st on 50 Books to Read Before You Die (Complex)
  7. – 32nd on 100 Essential Books (Bravo! Magazine)
  8. – 44th on 20th Century’s Greatest Hits: 100 English-Language Books of Fiction (Larry McCaffery)
  9. – 53rd on The 100 Greatest Novels of All Time: The List (The Observer)
  10. – The 100 Best Books in the World (AbeBooks.de (in German))
  11. – 100 Best Novels Written in English (The Guardian)
  12. – 50 Books to Read Before You Die (Barnes and Noble)
  13. – The College Board: 101 Great Books Recommended for College-Bound Readers (http://www.uhlibrary.net/pdf/college_board_recommended_books.pdf)
  14. – 1001 Books You Must Read Before You Die (The Book)
  15. – 100 Novels That Shaped Our World (BBC)
  16. – The New York Public Library’s Books of the Century (New York Public Library)
  17. – 110 Best Books: The Perfect Library (The Telegraph)
  18. – The New Lifetime Reading Plan (The New Lifetime Reading Plan)
  19. – The Book of Great Books: A Guide to 100 World Classics (Book)
  20. – From Zero to Well-Read in 100 Books (Jeff O’Neal at Bookriot.com)
  21. – The Graphic Canon (Book)
  22. – 50 Books That Changed the World (Open Education Database)
  23. – The 100 Greatest Books Ever Written (Easton Press)
  24. – Select 100 (University of Wisconsin-Milwaukee)

Okay, so it’s made it to a lot of best-books lists, why is it great? Brave New World is still very readable, very relevant, and a classic example of a dystopian (anti-utopian) novel. But it’s tricky. Where Nineteen Eighty-Four is about a world where people are cruelly treated by the government, in Huxley’s story the government tries to do everything possible to make people happy.

Brave New World is about three men who aren’t happy, Benard Marx, Helmholtz Watson, and John, also called “the Savage.” They should be happy because what they want is offered, they just won’t accept it. In the World State of 2540AD (632AF – after Ford) everyone is either given what they want or conditioned to want what they have. Huxley takes the free love movement of the early 20th-century and has people conditioned from birth to have lots of sex without feeling guilty or the need to be possessive. Every class is eugenically conditioned to like their job. Any kind of unhappiness, anxiety, or depression is quickly fixed. Regular participation in orgies and encounter groups is expected for normal mental health. And a recreational drug with no side-effects is socially acceptable and encouraged. Each class is rewarded with all kinds of stimulating activities and vacations. Work hours are short but long enough to give people purpose, and free time is generous.

In other words, it’s easy to be deceived while reading this book. It’s like in The Matrix when you have the choice between the blue and red pill. The steak tastes just as juicy and delicious in the delusional reality, so why not take the blue pill?

The ending of the novel is horrifyingly tragic but I’m guessing most readers will think that wouldn’t happen to them. But here’s the kicker, it should. Huxley felt we were all being seduced by the technological world and scientific success. In the late 1950s, he wrote Brave New World Revisited where he said the future he feared was arriving much quicker than he expected. I can only imagine his reaction to 2020.

Aldous Huxley and Brave New World are hard to decode. If Huxley was defending traditional values he certainly didn’t live them. Regarding sex and drugs, he lived like his characters in Brave New World. The World State in this story has solved all the political problems we face today, so it’s weird to read it as a dystopia. And Mustapha Mond sounds like a wise and compassionate leader. We have to worry that Brave New World is a Siren’s call.

I remember thinking when I first read this book as a teenager that it was too clinical and antiseptic. Babies were born in bottles, and everyone wore matching clothes to identify their class. And people learned pop jingles that taught them social values. It was scary to think everyone was brainwashed to be happy. But the actual story is much more subtle and sophisticated.

The $64,000 question is why is this old science fiction novel so successful, respected, and remembered when the 1930s science fiction of Edmond Hamilton, “Doc” Smith, John W. Campbell, Jack Williamson faded away? Their space operas spoke to a very tiny readership. Huxley’s book is about universal human problems, the same problems we face today. When I was young space fantasies were important to me, but they mean little today. Now I worry about climate change and Donald Trump and try to imagine a government that will save us from conservative selfishness. How we live, and how we’re governed will always be a universal interest to readers.

Reading Brave New World, or any of the books considered the Top 100 Books of All Time should be of special interest to would-be writers. What percentage of the population does your story speak to?

James Wallace Harris, 1/10/2020

 

 

Ascension – Generation Ship TV

I am very late to this science fiction mini-series about a generation ship, but this isn’t a TV review. I’m one of several bloggers who are reviewing science fiction short stories about generation ships. Because Ascension falls into this subgenre, I thought I’d discuss it too, comparing it to what we’ve been reading. For links to our previous short story reviews, see:

Generation Ship in Science Fiction

Warning, I’m going to give spoilers. Ascension first appeared in the U.S. on SyFy in 2014 and only lasted six 43-minute episodes. I had to buy it on Amazon Prime for $7.99, where it’s sold/viewed in three double-episodes. The show is no longer being streamed anywhere I can find. I don’t recommend buying it unless you’re like me and want to see how the series handles the generation ship concept. It includes all the common issues of a generation ship story. It could have been a great series, but they spoil it with a bunch of crappy conflicts and pitiful plot twists. But I still enjoy watching it.

I sprang for Ascension because it promised to be about a spaceship built around 1963, so the original crew members were stuck in that pop-culture milieu. I figured it would be Mrs. Maisel in space. Unfortunately, except for very few tech items, such as a couple of 1950s TV sets showing old TV shows, the people dressed and acted like modern fantasy Americans. The plot starts out about the first murder after voyaging 50 years but quickly develops into standard soap-opera of powerplays and sex between beautiful Hollywood-humans. I will give Ascension credit, it does go through many of the basic ideas we’ve been reading about in generation ship short stories.

Of the stories we’ve read, some have the crew forgetting they are on a starship, and with other stories, they know, but they have been brainwashed for various reasons to adapt to the long voyage. In Ascension, everyone knows about the mission. And like several of the stories we’ve read, the ship born crew resent being forced into a role they didn’t select. In this miniseries, young people go through a psychological breakdown akin to a mid-life crisis in their teens when they realize what they missed from living on Earth, and learning they probably won’t live to see a new world. The murder is related to a terrorist resenting their lack of future.

Like several of the old pulp stories, Ascension breaks ship-board society into classes. Workers live on the lower decks, and the elites live on the upper decks in luxury. I thought this was totally bogus. The premise is in the Kennedy Whitehouse era scientists feared the total destruction of the Earth by atomic war so they built a spaceship base on Project Orion. This is a way-cool idea. All the crew should have been fighter pilot astronauts and the best and the brightest scientists. Unfortunately, in 1963 the women would have been wives and mothers. However, the creators of Ascension ruin this show with too much modern technology and anachronistic humans. Some of it is disguised, like really thick tablet computers, but much of what the characters do in the show wasn’t anything like 1963 people, their speech, their habits, their fashion, their make-up, their furniture, or their gadgets. People from 1963 would have been racist, sexist, and homophobic, and that’s not the case in the show. Girls are used as shipboard spies, where one woman controls power with their sexual favors, and that’s definitely 1963 sexist.

I wonder if Hollywood feels the need to make TV shows with standard chords like pop music creators feel compelled to always use the same four chords to get hit sounds. Ascension feels like too many other TV shows. Watch this video to see what I mean.

I have to wonder if the screenwriters of  Ascension had read “Thirteen to Centaurus” by J. G. Ballard because the first big plot twist is the generation ship has never left Earth. The crew believes they’ve been traveling for fifty years on what they believe is a one-hundred-year voyage to Alpha Centauri. Instead, they’re part of a giant psychological experiment. Unfortunately, Ascension doesn’t have a clever spy aboard the ship that leaves every night like Ballard had, and it’s child genius isn’t as good either. Well, it does have the spy but he isn’t that essential to the plot.

I wished that Ascension had been Mrs. Maisel/Mad Men in space, and the show was actually about fifty years into a real space mission using 1963 technology. That’s the one porcupine I was willing to swallow. The crew would not have had videos to watch, and maybe not even video cameras. They certainly wouldn’t have had MRI scans or tablet computers. Realistically, they would have been all WASPs, probably hung-up on Christianity, and the women would have had limited job roles in their society.

Actually, it would have been an interesting tale philosophically if Ascension had used the fake starship plot, but everyone in the ship acted like 1963 Americans, while their handlers were 21st-century Americans. It would have been a reverse Star Trek. Morality plays about how we differ from ourselves 55 years ago.

I’m still waiting for a generation ship story to really get it right. For some reason, they all have a gimmick, and Ascension was no different. They all hint at the problems crews would face living on such a long-term mission, but they never get into those problems, at least not with finesse and real characterization. I guess I wish Alice Munro or Margaret Atwood would write a human interest story about life on a generation ship with the realism of NASA space science.

James Wallace Harris, 1/1/20

Robot Visions by Isaac Asimov

I wanted to “read” The Complete Robot by Isaac Asimov but it wasn’t available on audio (my preferred format for consuming old science fiction). However, Audible.com had three anthologies of Asimov’s stories, I, Robot, Robot Dreams, and Robot Visions. So I wrote out a list of all the stories in The Complete Robot and marked which stories were available on audio in these three audiobooks. After listening to Robot Dreams I had a new appreciation for Isaac Asimov. Now that I’ve finished Robot Visions I have even more appreciation. But boy, I sure am sick of hearing the Three Laws of Robotics being restated.

Robot Visions (1990) has 18 short stories about robots and computers, and 17 essays about writing about robots and computers. Listening to these two volumes you realize just how much of Asimov’s life was devoted to thinking about robots. These stories cover 48 years – from “Robbie” (1940) to “Christmas With Rodney” (1988). Asimov died in 1992, so that’s pretty much his entire writing life.

I read I, Robot and The Foundation Trilogy back in the 1960s when I was a kid, and for most of my life, I’ve pigeon-holed Asimov by this experience. I thought of Asimov as a so-so writer of sentimental tales about robots and a creator of a galactic empire epic I didn’t really buy into. During those other decades, I read a lot of Asimov’s nonfiction, and I thought of him as a great explainer. Giving Asimov’s fiction another try this year has made me realize just how wrong I was about his fiction. He’s a very good storyteller. Sure, he’s not literary or stylistic, but he can tell an entertaining story with engaging characters with drama and humor.

I do believe I’m now seeing the best in Asimov because I’m listening to his stories read by professional narrators. Susan Calvin, the famous robopsychologist of his stories revealed many complex dimensions of her personality when I listened to the stories, including murderous rage (“Liar!”) and cold-blood killer (“Robot Dreams” in the previous collection). And I could tell Asimov loved his robot creations, especially in “The Bicentennial Man” and “Robot Visions.”

Of course, what Asimov loved most was creating the Three Laws of Robotics. That gave him a lifetime of plot challenges. Most of these stories involved Susan Calvin or Mike Donovan solving a mystery by using the unerring logic of the three laws. These stories are fun, and often clever, but they usually didn’t have the sentimental charm of stories like “Robbie” or “Sally” which don’t involve the logic of the laws. Robot Dreams also had several of Asimov’s classic short stories not involving robots. So the two volumes make nice Best of Asimov set.

Reading the 17 essays about writing robot stories, you can tell Asimov was quite proud of coining the term robotics and inventing the three laws. And I got the feeling Asimov believes robots will eventually have the three laws incorporated into their programming. I don’t.

Here’s the thing, as much as I enjoy Asimov’s robot stories I believe he failed to imagine what real intelligent robots will be like or how we’ll coexist with them. I got the feeling from his essays that Asimov felt his writing legacy has a lock on robot science fiction. Thirty years after his last robot story I feel that legacy is fading away.

Asimov felt he conquered the robot tale because previous writers mainly used the robot as a threat, and he imagined them as friends and faithful servants. Since then writers have created even more beloved robot characters, even robots humans have sex with. Personally, I don’t think science fiction has come anywhere near what the reality of intelligent robots will be or anticipated our future relationships. I wish I had the energy and skills to write fiction because I see this as a wide-open theme.

I believe intelligent machines won’t be programmed by us but will evolve through techniques like machine learning. This means coding the three laws of robotics will probably be impossible. As AI evolves it will become part of its own evolution in a recursive way that we will never understand.

I thoroughly enjoyed listening to this collection of stories and essays. They perfectly encapsulate an era of science fiction. I think of science fiction written before real space travel as pre-NASA SF. I believe this book will be a classic of pre-Singularity SF one day.

One last note. I found it interesting that the short stories held up better than the essays. The essays are still worth reading, but they seemed more dated. I wished the publisher had interspersed the essays with the stories instead of leaving them as a clump at the end. I believe Asimov wrote almost 500 books, mostly nonfiction, but eventually, I predict he will be remembered for just The Foundation Trilogy and maybe for the robot stories.

James Wallace Harris, 12/29/19

 

“Tani of Ekkis” by Aladra Septama

Tani of Ekkis by Aladra Septama

[This is part of a blogging group discussion of generation ships in science fiction.]

“Tani of Ekkis” by Aladra Septama from Amazing Stories Quarterly (Winter 1930) might be the first example of a generation ship story in science fiction. I can’t take credit for finding it, that goes to Brian Brown, a reader of old pulp magazines who told me about it. The Generation Starship in Science Fiction: A Critical History 1934-2001 by Simone Caroti claims “The Living Galaxy” by Laurence Manning in the September 1934 issue of Wonder Stories is the first. Patrick Baker in “Generation Ships: The Science and Fiction of Interstellar Travel” credits “Proxima Centauri” by Murray Leinster in Astounding Stories (March 1935) as the first example. Although the SF Encyclopedia says the idea was suggested by a character in A Trip to Venus (1897) by John Munro, they also point to “Proxima Centauri.”

Tani of Ekkis generation shipI can find very little about Aladra Septama. ISFDB.org says its the pen name for Judson W. Reeves. He wrote six science fiction stories for Amazing Stories Quarterly in 1929 and 1930. Reeves is barely mentioned in The Gernsback Days by Mike Asley and Robert A. W. Lowndes. That book summarizes those Gernsback magazines, story by story and issue by issue, and says practically nothing about Reeves. One comment said Reeves’s stories needed cutting. That’s certainly true of this one.

That’s too bad I couldn’t find more about Reeves, because “Tani of Ekkis” is historically interesting for science fiction. It is not about humans building a generation ship, but about aliens from another star system building one to come to Jupiter. But all the elements of a generation ship story are there. A voyage of five hundred years. The fears of the people who start a voyage they won’t finish. Discussions about how the ship must be self-sufficient. Worries about people who are born during the voyage. Asking if ship born can even comprehend life on a planet when they arrive. And, the fear of not finding a habitable planet at the end of the voyage.

The story did have some twists. The crew develops suspended animation during the voyage. At first for just short periods of ten years to help preserve the food and supplies in case they needed to visit another solar system. Eventually, they perfect the process and people sleep for up to a hundred years at a time. This allowed the original crew to survive the entire trip. Tani is the wife of their leader, and mother of two children born during the voyage. She becomes the keeper of the calendar. Because she isn’t a scientist she regularly asks others for explanations of how things work, and we the readers receive the lessons. In other words, lots of infodumps.

“Tani of Ekkis” is not much of a story, at least for modern readers. It’s loaded down with out-dated science blather, and a bunch of tedious pseudo-science speculation. The author still talks about “the ether,” a concept that had already been disproven well before 1930. He imagines storing food by reducing the size of atomic structures. Reeves throws out many gobbledegook science-fictional concepts during this tale, but sadly, the story itself doesn’t have much in the way of a plot or drama. It is not a story I would recommend reading or anthologizing, and no one else has either.

Still, it’s very cool that “Tani of Ekkis” reveals early ideas about generation ships and suspended animation. Gernsback discovered few SF writers that are still remembered today. I guess E. E. “Doc” Smith and Jack Williamson are his big discoveries like Campbell lays claim to Heinlein, Asimov, and van Vogt. Most of his stable of writers just aren’t remembered today at all. And few stories from Amazing are reprinted retrospective SF anthologies, even though Amazing is famously remembered as being the first science fiction magazine. There’s no telling how many SF concepts premiered in the Gernsback magazines of the late 1920s and early 1930s. because those stories just aren’t being read and remembered. Brian Brown told me he is systematically reading them, and that’s how he discovered “Tani of Ekkis.” But I doubt many other readers will follow in his eye tracks.

You can read “Tani of Ekkis” here.

James Wallace Harris, 12/28/19

 

Happy 90th Astounding/Analog

January 2020 Astounding/Analog celebrates 90 years of publication. That science-fiction magazine has existed my entire life, but I didn’t notice it until 1966. To commemorate their big milestone Analog will publish its six 2020 issues with retro-looking covers and feature one reprint to recall the 1940s, 1950s, 1960s, 1970s, 1980s, and 1990s. The first reprint is the feel-good story “The Astronaut From Wyoming” (1999) by Adam-Troy Castro and Jerry Oltion in the Jan-Feb 2020 issue on the newsstands now. Coming up for Mar-April will be “Noise Level” (1952) by Raymond F. Jones. At first, I was surprised by these selections. They aren’t famous or well anthologized, but then they are stories worth reading. And I can understand unearthing gems from the past. Stanley Schmidt, who used to edit Analog introduces the story.

2020-JanFeb -Analog

During the past two years, I’ve been slowly reading through The Great SF Stories 1-25 edited by Isaac Asimov and Martin H. Greenberg that strive to find the best short science fiction published in 1939-1963. And I’ve been reading and collecting old science fiction anthologies. I’ve also read four histories of Astounding. I had not anticipated this 90th anniversary, but I have been preparing for it unintentionally. Actually, what I’ve intentionally been doing is reevaluating a lifetime of reading science fiction.

Two things prompted this navel-gazing. First, I’m getting old. Second, nearly all the old science fiction pulps and digests have been scanned and put online. To save on downloading time I bought several SF titles from sellers on eBay. Their DVDs are cheap and more convenient than weeks of downloading. Many old magazines can be found on the Pulp Magazine Archive. Pulp magazines are rather esoteric reading, and their fans are dying off. Few people know about science fiction magazines, either from the pulp era, or know about those still being published today. Analog and Asimov’s used to have over 100,000 subscribers. Now it’s about a fifth of that. I figure only a couple hundred older fans read the old scanned magazines. One reason for the declining readership of SF magazines is online publishing. Young readers prefer to read for free rather than subscribe to a print magazine.

This makes the print magazines feel rather moribund. That saddens me. But you can’t blame changing times. Online short science fiction is thriving, and it’s getting all the awards and their stories are being reprinted in the annual best-of-the-year anthologies. However, I don’t know if current online SF will be remembered like printed short science fiction before the internet age. People still collect pulps. eBay does a thriving business with them, as do specialty sellers. The digests being printed today, F&SF, Analog and Asimov’s will be collected in the future. But how do you collect digital publications?

I’m half modern and half old fashion. I buy and read Kindle editions of the SF print magazines, but I also buy the print copies to collect. I was disappointed that none of the eight copies of the Jan-Feb Analog were in mint condition at the bookstore. I picked one with a slight tear in the middle of the back cover. Analog/Asimov’s cover paper is so thin that it wrinkles, tears, dents, and creases extremely easily. And I can’t subscribe because they get torn up in the mail, plus the covers are ruined with a big mailing label. I like having paper copies for when I read about something in the issue because I can quickly flip to it. However, even my days of buying print editions might be coming to an end. The Kindle edition is just so much easier to read.

I keep hoping young SF readers will discover the SF magazines like they have LP albums, and admire them for their physical qualities. The digital copies of F&SF, Analog, and Asimov’s don’t have appealing layouts, and the interior illustrations don’t work well on my ebook reader. My F&SF copies come in so wonky that the cover is tiny.

I really love the covers of science fiction magazines. To celebrate Astounding/Analog 90th anniversary I’ve been collecting jpegs and making them into Cover Collections for the Internet Archive. Here are the covers for:

I hope I don’t get into trouble doing this, but I assume since these covers are all over the web that it might be okay to put them in one place.

If you look at these covers in order, they show an evolution of science fictional ideas. Probably young people will find them crude, garish, and quaint. But if you contemplate them slowly, more and more science fiction hopes and fears are revealed. I also start noticing how things change over time. In the 1930s spaceships were vertical, patterned on ocean liners, trains, and planes, but as real rockets were developed, they shifted to the vertical. Back in the 1990s, when a private rocket company launched a rocket that came down on its fins, Jerry Pournelle said it was as “God and Robert Heinlein intended.”

Rockets

I took the 229 covers from the 1930s and 1940s and made a slideshow for my TV. I’ve been playing it over and over. It’s a nice way to remember Astounding for its 90th birthday. If I don’t get trouble for collecting the 1930s and 1940s I might work on collecting the other decades.

For 2020 I plan to shift most of my reading away from older stories to the new SF stories just coming out. It might be nice to be on the cutting edge rather than dwelling sixty years ago. I don’t want to go full geezer always looking at the past. But there is something to comparing science fiction from different generations. It’s funny how so many things stay the same no matter how much we change.

James Wallace Harris, 12/22/19

“Thirteen to Centaurus” by J. G. Ballard

Thirteen to Cenaurus by J. G. Ballard

“Thirteen to Centaurus” by J. G. Ballard is the fifth story in the Generation Ships in Science Fiction discussion originated by Joachim Boaz. You can read the story online here. I consider “Thirteen to Centaurus” a superior story. However, none of the generation ship stories we’ve read so far have been popularly anthologized, so they aren’t classics. Maybe it’s time to reconsider that.

I don’t want to say much about “Thirteen to Centaurus” since I don’t want to spoil any of its several plot twists and turns. However, in my previous reviews in this series, I mentioned an idea I had for a generation ship story, and it turns out Ballard already used it back in 1962. Of course, I wouldn’t have developed the idea the same way Ballard did. It does make me wonder if science fiction writers should read all the major stories from a theme before trying to take on a theme? On the other hand, if the average reader isn’t well-read in a theme, does it matter?

I want to believe that J. G. Ballard had read “Lungfish” by John Brunner when writing “Thirteen to Centaurus” because there is a certain synergy between them. The two stand out of the five stories we’ve read. Ballard and Brunner began their science fiction careers in Great Britain in the 1950s. Ballard was being published in New Worlds around the time of “Lungfish” so he probably read Science Fantasy too. I’m not so sure Ballard would have read the Judith Merril, Chad Oliver, or Clifford Simak stories in the American SF magazines, but “Thirteen to Centaurus” seems to reply to them. I have to assume there is a progression of logic when thinking about the consequences of humans living on a generation ship and all the writers are reaching the same or similar conclusions.

So far these SF writers believe humans can’t handle a generation ship mission psychologically. Is that why we mostly read about FTL travel? Several writers have suggested we’ll need to condition or even brainwash the generation ship crew. And all the stories have had an element of conspiracy in them, that for one reason or another the crews don’t know everything. More than one story worries that the ship born generations, the ones who didn’t volunteer for the mission will feel resentment or rebel against the mission. Would you be pissed in such a situation?

I’m hoping to see in future reads a sense of progression past these fears. I’d like to see positive stories about how humans adapt and even create new philosophies, perspectives, and hopes while living on a generation ship mission.

We’ve seen two kinds of story problems so far. First, the writers imagine the kinds of problems crews might encounter on real generation ship missions. Second, writers have imagined problems for the crews to make interesting plots. Before reading these stories I never considered the psychological problems generation ship crew would face. Now that I have, I can see a whole array of further speculation along those lines. Has Philip K. Dick ever written a generation ship story? PKD could have done some weird shit with this idea.

And there are all kinds of considerations the writers haven’t explored. The other day while brushing my teeth I wondered how many toothbrushes and tubes of toothpaste must be stored on a generation ship for a mission that will last a hundred years. If a ship has 1,000 passengers, that’s a lot of toothbrushes. Or do they send along a factory that can make them? It’s certainly helped that we’ve developed 3D printers since these stories were written. But really, how do you equip a voyage for a century or millennia?

If the voyage begins with 1,000 crew members and they start having kids, grandkids, and great-grandkids, how many sleeping births will be needed? It sounds like a kind of algebra problem, doesn’t it?

None of the stories we’ve read so far had the ship stay in communication with Earth. Is it possible to have radio contact with Earth on a spaceship moving at one-tenth the speed of light? If a one-minute radio message is sent from Earth, how long does it take to record it at relativistic speeds on the ship? Heinlein created a wonderful setup in Time for the Stars with telepathic twins, one staying home and one leaving. If telepathy was possible, how does relativity effect it?

If a generation ship had a large telescope could it be networked with those on Earth or in the solar system to create a really large interferometer? If so, how much detail will we be able to observe in destination solar systems? In these early generation ship stories, the crews travel blindly to other systems hoping to find habitable planets. Knowing what we do about exoplanets and with telescope development, would that ever be true of real generation ship missions? Haven’t we passed the point where the 1940s, 1950s, and 1960s story problems wouldn’t exist? I’m really looking forward to generation ship stories from the 1970s, 1980s, 1990s, and so on.

Can we create a generation ship that won’t bring along most of the diseases that plague us on Earth? And if the crew does carry on colds or strains of flu, will they die out because the passengers all develop immunity, or will they mutate in such a small population? What happens to a generation ship crew if they encounter diseases at their destination?

I wonder what shipboard novelists would write about. What if they try to write about life on Earth without ever living on Earth. Can the ship born ever develop a realistic picture of life on a planet from movies and books? What kind of myths will they have about us?

Once we start thinking about the possibilities they are endless. So far, I think the stories we’ve read have been very good but limited in their speculation and imaginations. I’m looking forward to reading more.

I’m surprised that we don’t see more generation ship stories. I guess writers want FTL travel because they want a bunch of interstellar action. In Star Wars they can obviously travel between star systems faster than needing to pee because some of the Star Wars spaceships aren’t large enough for bathrooms. Basically, modern science fiction has made FTL spaceships the new fantasy portal, but they are no more realistic than the wardrobe in the C. S. Lewis stories.

Interstellar travel is probably impossible, but our best chance will be generation ships. I’m surprised we don’t see more of them in science fiction.

Remember, here’s the list of the posts in this discussion so far. Joachim Boaz at Science Fiction and Other Suspect Ruminations leads the group. He will announce the next story.

James Wallace Harris, 12/18/19

 

“Lungfish” by John Brunner

Science Fantasy 26 1957

This is part 3 [Part 1, Part 2] of a group discussion reviewing science fiction stories about generation ships in science fiction. “Lungfish” by John Brunner is the fourth story we’ve discussed and probably the most realistic so far. Reading these stories one after another is both delightful and enlightening. They are an education in writing science fiction. Not only are we learning about a sub-genre, but we see how one writer after the next sets up their version of a generation ship society and contrives a plot. It feels like each story is a reply to previous stories where writers are communicating across time with one another.

The Generation Starship in Science Fiction A Critical History 1934–2001While researching “Lungfish” I found The Generation Starship in Science Fiction: A Critical History, 1934–2001 by Simone Caroti, a whole book analyzing this theme. I’ve gotten so intrigued by generation ship stories that I sprang for the $9.99 Kindle edition. Even though this work started out as an academic paper it’s very readable, and I’m learning a lot. It makes a great companion to our reading group. Caroti brings realistic considerations to topic. For example, it will probably be too expensive to ever build a generation ship.

I wonder if I’m developing an obsession on this theme. But the generation ship has always been one of my favorite sense-of-wonder ideas I found in science fiction. Of course, much of that sense-of-wonder came from reading Orphans of the Sky by Robert A. Heinlein and it’s particular plot surprise.

If asked before starting this group discussion, how many generation ship stories I’ve read, I would have replied “A bunch.” But thinking about it since then, I realize it hasn’t been that many. I recall reading three novels, Orphans of the Sky, Non-Stop by Brian Aldis, and The Children of Time by Adrian Tchaikovsky, but only one short story came to mind, “The Voyage that Lasted 600 Years” by Don Wilcox. When I saw Joachim Boaz’s list of generation ship stories it showed I wasn’t really that well-read after all, having read just eleven of the dozens of titles. Joining this group discussion has added four more. I don’t know how long Joachim will keep this project going, but I’m in for the long haul.

John Brunner uses his title “Lungfish” as a metaphor for comparing humans leaving Earth to live on other worlds to when fish first came out of the ocean to live on dry land. He also compares it to the pain of giving birth and being born. As a life-long science fiction fan, I always assumed going to another planet would be a thrill, but after reading these four stories I see that I haven’t thought things through. I’m an introvert with a touch of agoraphobia and would probably adapt well to shipboard life, but for most people, it would be mentally damaging. And if I’m honest with myself, starting life over on another planet would be terrifying and traumatic.

Heinlein, Simak, Oliver, Merril, and now Brunner show that leaving Earth won’t be easy. And there are two deeply psychological issues here that have taken me five stories to even start to see. One, folks growing up on a generation ship will not want to leave. And two, landing on another planet will not be as easy as Star Trek/Star Wars leads us to believe. I wonder if these early stories reveal anxieties about space travel before the time of real space travel? I’m curious to see if modern SF writers still consider such fears valid.

How many science fiction fans would enjoy living their science fictional fantasies?

I’ve reached an age where I hate to leave my house. I’ve made my home very comfortable and secure. Going places is uncomfortable and insecure. I completely understand why people raised on a generation ship would refuse to exit at end-of-voyage.

“Lungfish” feels the most realistic of the generation ship stories we’ve read so far, but even it has another conspiracy that I find unrealistic. Thirty-seven years isn’t that long, so we don’t have the problem of people forgetting their mission. But we again have the resentment of the second generation against the original crew. Brunner imagines the ship run like a corporation with a board of directors and a chairman. For 1957, Brunner is farsighted enough to make the chairman a woman, and many of the officers are women. But the original crew have retained their positions in the upper ranks of management to the resentment of their children born on the ship. Brunner recognizes the same kind of resentment between generations we see if the world today.

We readers can’t imagine what life outside the environment of Earth would be like. People raised inside a spaceship will have different mental perspectives on reality. “Lungfish” brings new insights to the generation ship theme. Overall, this story is top-notch, but I didn’t like the resolution of the problem. Reading these stories together I get the feeling that writers want a trick conclusion to their stories to entertain their readers and avoid a realistic solution that could be boring.

Anthology of Generation Ship SF Stories

I’ve been poking around and can find no evidence for an anthology of generation ship science fiction stories. I think our reading discussion should at least create a virtual anthology. It would be great to see a theme anthology like The Time Traveler’s Almanac by Jeff and Ann VanderMeer for generation ship stories. Here are the stories I’d recommend so far:

I’m hoping to find many more.

Visit Science Fiction and Other Suspect Ruminations to join the discussion.

JWH – 12/11/19