“Finisterra” by David Moles was first published in the December 2007 issue of The Magazine of Fantasy and Science Fiction. It has been reprinted a number of times, including online at Clarkesworld where you can read and listen to the story. The cover painting (above) for the story is by Cory and Catska Ench. This is the 10th review in a series, following the stories in The Very Best of the Best edited by Gardner Dozois.
“Finisterra” is supposed to be science fiction, but it feels like a mini-epic fantasy. Storytellers always have to top previous stories of a similar kind, so this tale is about hunting for an animal bigger than city or county.
“Pictures don’t do them justice, do they?” he said. Bianca went to the rail and follows the naturalist’s gaze. She did her best to maintain a certain stiff formality around Fry; from their first meeting aboard Transient Meridian she’d had the idea that it might not be good to let him get too familiar. But when she saw what Fry was looking at, the mask slipped for a moment, and she couldn’t help a sharp, quick intake of breath. Fry chuckled. “To stand on the back of one,” he said, “to stand in a valley and look up at the hills and know that the ground under your feet is supported by the bones of a living creature—there’s nothing else like it.” He shook his head. At this altitude they were above all but the highest-flying of the thousands of beasts that made up Septentrionalis Archipelago. Bianca’s eyes tried to make the herd (or flock, or school) of zaratanes into other things: a chain of islands, yes, if she concentrated on the colors, the greens and browns of forests and plains, the grays and whites of the snowy highlands; a fleet of ships, perhaps, if she instead focused on the individual shapes, the keel ridges, the long, translucent fins, ribbed like Chinese sails. The zaratanes of the archipelago were more different from one another than the members of a flock of birds or a pod of whales, but still there was a symmetry, a regularity of form, the basic anatomical plan— equal parts fish and mountain—repeated throughout, in fractal detail from the great old shape of Zaratán Finisterra, a hundred kilometers along the dorsal ridge, down to the merely hill-sized bodies of the nameless younger beasts. When she took in the archipelago as a whole, it was impossible for Bianca not to see the zaratanes as living things. “Nothing else like it,” Fry repeated.
It’s hard to imagine creatures this large and still be real. Look closer again at the cover illustration. There’s a larger creature there. And even it isn’t large enough to be the creature in the story.
“Finisterra” isn’t meant to be speculative science fiction. This is Planet Stories for the 21st-century. Oh sure, it has its moral compass with an anti-poaching message, but really it’s an adventure tale, the kind you wish you could see at an IMAX theater in 3D. David Moles has done some wonderful worldbuilding, as has the nine stories that came before it in The Very Best of the Best. If there’s one lesson for the would-be science fiction writer in this anthology, it’s to master the techniques of world-building.
It’s serendipitous that I read “Finisterra” just before I watched Love, Death + Robots on Netflix, a series of 18 mostly animated short SF/F stories. Many of its short films were based on original short stories by science fiction writers. Love, Death + Robots is a great proof of concept that short SF/F would be very successful on television, and “Finisterra” would make a beautifully animated film. Of course, Dust has been making such short films for years for internet viewers, and now they offer Dustx channel for Roku owners. I hope all these short SF films and anthology shows get more people to read science fiction short stories and subscribe to the magazines.
Even though I thoroughly enjoyed Love, Death + Robots, I felt the variety of science fiction themes in the 18 short films limited. Its stories mainly focused on sex and violence with a lot of profanity, the kind that would appeal to teenage boys. I hope the producers of this series mine more SF stories from current genre magazines and select stories like “Finisterra” or the others in The Very Best of the Best to film.
James Wallace Harris, March 23, 2019