Vultures of the Void by Philip Harbottle

Vultures-of-the-Void

I came across Vultures of the Void: The Legacy by Philip Harbottle by accident. Paul Fraser chided me in an earlier post being too American-centric when talking about science fiction history, so I went looking for more information on British science fiction history. I found a mention of an earlier edition of Vultures of the Void in Mike Ashley’s Transformations: The Story of Science Fiction Magazines From 1950 to 1970 (itself out-of-print.)

Vultures of the Void is a print-on-demand (POD) book, which can be ordered from a number of sources. Here’s how Amazon describes it:

An earlier, very much shorter version of this book was published as VULTURES OF THE VOID in 1992 by Borgo Press, along with a companion bibliographic volume, BRITISH SCIENCE FICTION PAPERBACKS AND MAGAZINES 1949-1956. Now the compiler and editor of those books, Philip Harbottle, here presents the result of his further and ongoing researches into British science fiction publishing history. This greatly expanded version includes entirely new coverage of the generic hardcover titles that briefly and paradoxically flourished alongside the indigenous British paperbacks of the early 1950's, spearheaded by an influx of outstanding American science fiction by such authors as Isaac Asimov, Fredric Brown, Edmond Hamilton, Robert Heinlein, Jack Williamson, and A. E. van Vogt. VULTURES OF THE VOID: THE LEGACY also deals in fascinating detail with related shaping events both before and after the notorious postwar 'mushroom' decade. In particular, it describes how many of the original founders of the pre-war British Interplanetary Society - including fledgling young science fiction writers such as Arthur C. Clarke and Eric Frank Russell - were to become giants and shapers of their field after the war. And how pioneer editors such as Walter Gillings and John Carnell struggled against overwhelming odds to establish British science fiction magazines both before and after the Second World War. In this new book, Harbottle also reveals the astonishing latter-day legacy of the turbulent postwar decade for himself and some of the most prolific authors such as John Russell Fearn, E. C. Tubb, and others, whose work he has been instrumental in returning to print.

The book is almost four hundred pages of fairly small print spiced with black-and-white photos of covers from old British science fiction books, paperbacks, and magazines. While flipping through it I realized Paul was right, I do have an American-centric view of science fiction. Vultures of the Void shows an alternate history of science fiction that I know little about.

This is an obscure book, not because it’s unavailable, but because so little is written about it. There are only three reviews at Goodreads. I was able to find one review by science fiction writer  David Redd.

If you collect old science fiction magazines and books, you might want to buy this one.

James Wallace Harris

The Year’s Best Short Science Fiction: 1959

1959-SF-Magazines

Few people think about 1959 today – at least not consciously. Yet, 1959 hangs around. If you hear “So What” by Miles Davis or “Take Five” by The Dave Brubeck Quartet, that year creeps back into your mind. And if you play “Moanin’” by Art Blakey – now that’s 1959 down and dirty! 59′ also returns if you throw on the Blu-ray of Some Like it Hot, Ben-Hur, Anatomy of a Murder, or catch a rerun of The Twilight Zone, Rawhide, Bonanza, or The Untouchables. Three novels dominated The New York Times bestsellers list in 1959 were Doctor Zhivago, Exodus, and Advise and Consent, although it might be more common to be reading A Separate Peace, A Canticle for Leibowitz, or Starship Troopers today.

I’ve become an aficionado of short science fiction, a particularly minor aspect of pop culture, but even here 1959 still matters. I’ve always wanted to pick a year and read all the science fiction magazines that came out that year. But I’m lazy. However, back in 2014, Gideon Marcus did just that for his blog Galactic Journey. This week I read all his columns covering 1959.

I’ve always wondered if anthologists have missed great stories. Are there a few classics still to be unearthed? In 1960 Judith Merril told us which stories she liked from 1959. Bold ones are the titles Marcus also liked.

  • “No Fire Burns” by Avram Davidson (Playboy)
  • No, No, Not Rogov!” by Cordwainer Smith (If)
  • “The Shoreline at Sunset” by Ray Bradbury (F&SF)
  • “The Dreamsman” by Gordon R. Dickson (Star Science Fiction No. 6)
  • “Multum in Parvo” by Jack Sharkey (The Gent)
  • Flowers for Algernon” by Daniel Keyes (F&SF)
  • A Death in the House” by Clifford D. Simak (Galaxy)
  • “Mariana” by Fritz Leiber (Fantastic)
  • Day at the Beach” by Carol Emshwiller (F&SF)
  • “Plenitude” by Will Mohler (F&SF)
  • The Man Who Lost the Sea” by Theodore Sturgeon (F&SF)
  • “Make a Prison” by Lawrence Block (Science Fiction Stories)
  • What Now, Little Man?” by Mark Clifton (F&SF)

Why did Merril miss “All You Zombies—” by Robert A. Heinlein that year? It was on her honorable mention list. I’ve read in later years Heinlein wanted too much to reprint his stories so it might have been true in 1960 too. Gideon Marcus didn’t read Fantastic, the 1959 men’s magazines, or original anthologies, so he gave no opinion on those stories.

Also, in 1960, fans voted the Hugo award for Best Short Fiction:

Winner:

  • “Flowers for Algernon” by Daniel Keyes (F&SF)

Runner-ups:

  • “The Alley Man” by Philip José Farmer (F&SF)
  • “The Pi Man” by Alfred Bester (F&SF)
  • “The Man Who Lost the Sea” by Theodore Sturgeon (F&SF)
  • “Cat and Mouse” by Ralph Williams (Astounding)

Why wasn’t “All You Zombies—” among the top stories nominated for a Hugo? Fans loved three stories that Merril overlooked – “The Alley Man,” “The Pi Man” and “Cat and Mouse.” All three were on her honorable mention list, but it included over a hundred stories. Those three weren’t popular with Gideon Marcus either.

We never know if the stories anthologists published as the best of the year are their exact best of the year, or the stories they could get the rights to publish.

In 1990 Isaac Asimov and Martin H. Greenberg told us their favorite in The Great SF Stories 21 (1959). Stories in bold are those that Merril didn’t pick in 1960.

  • Make a Prison” by Lawrence Block (Science Fiction Stories)
  • The Wind People” by Marion Zimmer Bradley (If)
  • “No, No, Not Rogov!” by Cordwainer Smith (If)
  • What Rough Beast?” by Damon Knight (F&SF)
  • The Alley Man” by Philip José Farmer (F&SF)
  • “Day at the Beach” by Carol Emshwiller (F&SF)
  • The Malted Milk Monster” by William Tenn (Galaxy)
  • The World of Heart’s Desire” by Robert Sheckley (Playboy)
  • “The Man Who Lost the Sea” by Theodore Sturgeon (F&SF)
  • “A Death in the House” by Clifford D. Simak (Galaxy)
  • The Pi Man” by Alfred Bester (F&SF)
  • “Multum in Parvo” by Jack Sharkey (The Gent)
  • “What Now, Little Man?” by Mark Clifton (F&SF)
  • Adrift on the Policy Level” by Chan Davis (The Expert Dreamers)

Asimov and Greenberg added 8 stories that Merril didn’t anthologize, while still ignoring “Cat and Mouse” but remembered “The Pi Man.” In the early years of their series, Asimov and Greenberg would give the Heinlein stories they wanted to include a placeholder page in their anthologies. It told readers they couldn’t get the rights to publish Heinlein’s story, but they would have included it as one of the best of the year stories. They stopped even that recognition after a while. I assumed “didn’t get the rights” meant they didn’t want to pay Heinlein’s price.

In 2014 Gideon Marcus identified his favorites at Galactic Journey. His is a longer list than the others. The stories below are Gideon’s 5-stars or highly recommended, or his Galactic Stars Awards recommendations. I’ve cobbled this list together from my reading notes, and they are in no order. I’ve bolded stories the others didn’t recognize.

  • “Flowers for Algernon” by Daniel Keyes (F&SF)
  • “The Man Who Lost the Sea” by Theodore Sturgeon (F&SF)
  • “What Rough Beast” by Damon Knight (F&SF)
  • This Earth of Hours” by James Blish (F&SF)
  • To Fell a Tree” by Robert F. Young (F&SF)
  • The Good Work” by Theodore L. Thomas (If)
  • The City of Force” by Daniel Galouye (Galaxy)
  • The Sky People” by Poul Anderson (F&SF)
  • Cat and Mouse” by Ralph Williams (Astounding)
  • Seeling” by Katherine MacLean (Astounding)
  • Whatever Counts” by Frederik Pohl (Galaxy)
  • Return to Prodigal” by J. T. McIntosh (If)
  • “Death in the House” by Clifford D. Simak (Galaxy)
  • The Aliens” by Murray Leinster (Astounding)
  • Someone to Watch Over Me” by Christopher Grimm (Galaxy)
  • Operation Incubus” by Poul Anderson (F&SF)
  • “What Now, Little Man?” by Mark Clifton (F&SF)

Marcus finally confirms the Hugo nominated “Cat and Mouse.” Most of the previously unremembered stories that Marcus rediscovered were not on anybody else’s list. “The Aliens” was reprinted in The World Turned Upside Down, ed. Drake, Baen, and Flint, 2004, and “The Sky People” were on a list of all-time favorite stories by Gardner Dozois. My guess is these stories need to be reread and reevaluated, but they might be like Pohl’s “Whatever Counts” – just standout stories for the issue, and not all-time classics. I thought “Whatever Counts” was quite innovative – it opens with a dramatic scene of parents trying to burp a baby in freefall and eventually explores different states of consciousness. If I was doing an anthology of Forgotten 1950s SF Stories, I’d include it. But I can’t say it’s a classic like “So What” or “Take Five” are for 1959 jazz. SF’s version of those jazz classics would be “Flowers for Algernon” and “All You Zombies—”

Marcus didn’t say much about “All You Zombies—” but he did rate the March F&SF issue at 4 to 4.5 stars, meaning there must have been some 5-star stories in that issue. He never said which ones, and he did say that F&SF had eleven 5-star stories for 1959. I can only identify eight by reading the columns. Maybe “All You Zombies—” was one. Because Marcus didn’t gush over the obvious classics, maybe he was specifically trying to promote overlooked stories.

In 2018 we created The Classics of Short Science Fiction that identified just four stories from 1959. They each had five or more citations – the requirement to make the list. They were:

  • “Flowers for Algernon” by Daniel Keyes (12)
  • “All You Zombies—” by Robert A. Heinlein (11)
  • “The Man Who Lost the Sea by Theodore Sturgeon (7)
  • “The Pi Man” by Alfred Bester (5)

If Merril and Asimov/Greenberg anthologies had included “All You Zombies—” it would have gotten 14 citations, making it the most remembered SF story of 1959. It’s interesting that both “All You Zombies—” and “Flowers for Algernon” have been made into movies.

If you add in stories that got at least three citations the list would expand to:

  • “The Wind People” by Marion Zimmer Bradley (4)
  • “The Store of the Worlds” by Robert Sheckley (3)
  • “No, No, Not Rogov!” by Cordwainer Smith (3)
  • “The Alley Man” by Philip José Farmer (3)

When we do version 2.0 of The Classics of Short Science Fiction these four stories might get more citations, especially if I use Gideon’s picks as a citation source – that would at least put “The Wind People” on The Classics of Short Fiction list (unless I up the minimum citation requirement – now at 5).

If someone in 2019 created a new anthology series for the best short SF of the year, what should it contain? After 60 years have the classic short SF finally been identified? And if an anthologist in 2059 collected The Best Short SF of 1959 would they see the same classics we do today? Are there still SF stories from 1959 that haven’t revealed their genius yet?

And as Paul Fraser pointed out the stories above are mostly American and that Marcus didn’t read the British SF magazines New Worlds, Science Fantasy or Science Fiction Adventures. And the above lists ignore the rest of the world. We know Merril knew about Russian science fiction because she edited an anthology of Russian SF. Hopefully, by 2059 we’ll know more about the best 1959 SF short stories from around the world.

You can play with our database to create lists of best stories of the year lists.

James Wallace Harris, May 4, 2019

The Limits of Believability in Science Fiction

Skylark-Three

There are two kinds of believability in science fiction. The first is internal, does the story make sense in its own fictional reality? The second kind asks if the concepts in the story are believable in our reality? In this essay, I’m concerned with the second kind. I believe all science fiction readers have built-in bullshit detectors that vary in accuracy depending on the science they know. To complicate the problem, none of us know the real potential of science and technology.

Last year I started gorging on science fiction short stories. I’m reading stories from the last two hundred years, jumping around from decade to decade in no particular order. This is giving me a sense of what every generation feared and hoped for the future. What I discovered, and should have predicted but didn’t, is that every era has the same hopes and fears, they just apply their current science to their speculation. However, over time we accept the reality of what science teaches us while still wildly speculating about what science could still discover. It’s a form of neverending hope.

Those reading space operas today no longer expect futures where Dick Seaton hurls galaxies at his enemies, but they do believe our minds will be easily transferred between bodies (human, alien, artificial beings), virtual realities, machines, and spaceships. Every generation wants to go where no human has gone before, to escape the limits of mortality, and create what’s never been imagined.

When we’re young we’re willing to believe almost anything. However, the closer we get to knocking on heaven’s door the more we disbelieve. Aging means education and experience, lessons that define our boundaries of believability.

I’m almost finished reading The Very Best of the Best edited by Gardner Dozois that collects 38 science fiction short stories first published from 2002-2017. It’s giving me a great overview of what 21st-century writers think what might be possible in the future. The trouble is, I doubt most of what they dream will come true.

One of the most popular science fiction themes of our time is brain downloading. Essentially, it’s a psychological replacement for accepting Jesus and attaining everlasting life. Sure, getting downloaded into a robot, clone, or artificial body is as entertaining to read as magically getting turned into a dog or cat, but my bullshit detectors start clicking loudly when science fiction acts like Harry Potter.

Science fiction shouldn’t be let’s play make-believe. There’s a huge difference between what if and if this goes on. Just because we can imagine it doesn’t make it possible. In recent decades some science fiction writers have pulled away from faster-than-light travel. And time travel is a much less popular plot device in serious science fiction. Yet most science fiction readers and writers ache to zip around the galaxy at whatever magical warp factor makes the story work, or escape a plot conundrum with a bit of time travel.

I don’t know if it’s because I’m 67 or reading science fiction for sixty years, but I’m now craving bullshit free SF stories. I now consider most stories labeled science fiction to be fantasy. Some writers even claim that science fiction is merely a subgenre of fantasy. I believe, or want to believe, that real science fiction is separate from fantasy. That science fiction is a genuine cognitive tool for speculating about what might be possible.

Yesterday, The Guardian ran “‘It drives writers mad’: why are authors still sniffy about sci-fi?” by Sarah Ditum. It’s another report about how literary writers sneer at science fiction even when they use its storytelling techniques in their work. Every few years essays like this appear, and science fiction fans get in a snit. The reality is published science fiction is not a successful publishing category and ambitious writers don’t want to get pigeonholed into our genre. It’s perfectly understandable. However, the cognitive tool of writing science fiction is very successful, and literary writers want to use it from time to time. Ian McEwan has just published Machines Like Me that is obviously science fiction. He wants his science fictional speculation taken seriously, thus the reason why he’s avoiding being classified as a science fiction writer. It sounds like Catch-22, but then the Yossarian’s Catch-22 meant something real too.

What some science fiction fans don’t understand is the average person might have better SF bullshit detectors than we do. It’s somewhat analogous to religious true believers being angered by skeptics who reject their truth out of hand. Faith in anything tends to disable bullshit detectors.

What I’m saying is either my age or my study of science fiction has made me a skeptic in my faith in science fiction. In other words, I’m becoming the Bart D. Ehrman of my religion – science fiction – by studying its history.

James Wallace Harris, 4/19/19

 

 

 

 

 

 

 

“The Purple Death” by W. L. Alden

The Purple Death by W. L. Alden

“The Purple Death” by W. L. Auden first appeared in the January 1895 issue of Cassell’s Family Magazine. I read it in my copy of Science Fiction by the Rivals of H. G. Wells edited by Alan K. Russell, but I also own The Wordsworth Collection of Science Fiction edited by David Stuart Davies, the other anthology that ISFDB.org says contains the story. However, it is also available to read online.

In the last decade, I’ve come to admire science fiction from the 19th-century and collected a number of anthologies that mine that era for early tales of sense-of-wonder. I dip into these volumes now and then, often to discover ideas I thought original to the golden age of pulp SF magazines of the 1930s and 1940s. It makes me wonder if anthologists shouldn’t scout the 18th-century for even earlier examples of common science fiction themes.

“The Purple Death” is a quiet story about an Englishman vacationing in Italy who meets Professor Schwartz, a mad scientist from Germany living the cottage next door. Schwartz wants to help the poor and downtrodden by reducing their numbers. He believes overpopulation is the source of the planet’s problems. His has a solution, one we’d call terrorism today. In fact, the description of his bioweapons of mass destruction and how he would deploy them sounds exactly like possibilities we regularly hear on the nightly news.

Wikipedia has little to say about Alden, other than he was Consul General in Rome, Italy from 1885-1890, appointed by Grover Cleveland. He brought the sport of canoeing to the United States and was the founding member of the American Canoe Association. That I thought strange since I assumed native Americans invented the canoe.

The Encyclopedia of Science Fiction is a bit more revealing, with a concise rundown of his other SF/F tales. Their themes support my idea that many of the famous science fictional ideas of the 20th-century had earlier versions in the 19th. To quote SFE:

Alden's sf and fantasy seems to date only from around 1890 or so, his first title of genuine genre interest seeming to be A Lost Soul: Being the Confession and Defence of Charles Lindsay (1892), narrated by a physician who re-animates the frozen body of an Italian countess (see Sleeper Awakes), only to find that she has retained the amoral ways (see Sex) that caused her husband to immolate her in the first place. Most of the stories in Among the Freaks (coll of linked stories 1896) are tall tales, narrated by the owner of a freak show (but see Monsters); The Mystery of Elias G Roebuck and Other Stories (coll 1896) includes several fantasies and sf tales, including an interesting Apes as Human tale, "A Darwinian Schooner" (August 1893 Pall Mall Magazine) and several tales involving Inventions, a topic more intensely (and humorously) deployed in the stories assembled as Van Wagener's Ways (coll of linked stories 1898), in which the eponymous professor's inventions, all of which go wrong but which are not hoaxes, end with his death in something like a nuclear explosion. Drewitt's Dream (1902) is partially set on an Island Utopia. Alden was prolific and fluent, and further exploration of his works may uncover more material of interest.

I think I’d like to give A Lost Soul (1892) a try. In his bibliography, SFE also mentions A New Robinson Crusoe (1888), which also intrigues me.

By the way, I highly recommend Science Fiction Rivals of H. G. Wells if you can find a copy. They are getting expensive on the used market. I only snagged a copy of one without its dust jacket, so in some ways, I hate to make this recommendation, because I’d still like to find a cheap copy in its wrapper. However, it’s a cool volume, reprinting Victorian era SF from the magazines and including their original illustrations. It’s a shame there is no ebook or audiobook edition.

James Wallace Harris, April 2, 2019

 

Before there was Instagram, Twitter, and Facebook, before there was Blogs, Forums, and Listserv, there was the Fanzine!

The Science Fiction Fanzine Reader

I’m not sure people who grew up after the internet can comprehend living before the computer era. They are used to instant communication with anyone around the world. They are used to finding their peeps in a Facebook group just by typing in a search phrase or battling tempests in a teacup with digital acquaintances they’ve never met on Twitter. The internet lets everyone easily locate like-minded members of their subculture or the foes of their philosophy. Anyone can have a world-wide distribution of their writing. But in the days before networked computers, most people only knew other people from meeting face-to-face. Writing letters were about the extent of distant communication, and generally, they were to Mom and Dad when you were at camp.

However, Amazing Stories in the 1920s inspired science fiction fans to communicate with other unmet fans through the letter columns, which led them to invent their own magazines, the fanzine. That allowed SF fans to express themselves and find other fans to share and argue over the mighty topic of science fiction. Instead of HTML, they used letterpresses, ditto machines, and the mighty Gestetner mimeograph to publish text and graphics.

Luis Ortiz has just come out with a new anthology of fanzine essays and artwork called The Science Fiction Fanzine Reader: Focal Points 1930-1960. He ties 400 pages of reprints with commentary and history. Sure this is a big book about a tiny subculture. Only 200 people attended the first Worldcon in New York City in 1939. Most science fiction fans lived in isolation, hungry for contact with their fellow fen.

In my recent essay about Hugo award-winning fanzines, I provided links to sites where you can read these classic zines. What Ortiz has done is give those archives a coherent overview and history. I don’t think many people will be buying this $30 book. The old science fiction fandom is dying out. It’s been completely overshadowed by social media. But I want to let those who remember to know that it exists. And maybe let those who don’t remember a chance to see how the ideology of science fiction was spread before the world knew the term science fiction.

I joined Spectator Amateur Press Society (SAPS) in 1971 and my cousin-in-law let me use his church’s Gestetner to run off my first zine called The Blue Bomber (named after my car). SAPS was an amateur press association (APA) where I shared my zine with 36 other people around the world. In 1974, Greg Bridges and Dennis McHaney and I purchased a Gestetner together. I helped Greg publish a genzine called Diversity for our local science fiction club, but we traded it for other zines in other states, and I think England, Canada, and Australia. Dennis published a zine devoted to Robert E. Howard. I used our mimeograph for publishing my SAPS and SFPA zines.

Communicating with distant people I’ve never met in the 1970s via zines prepared me for the BBS boom in the 1980s. I joined Prodigy, AOL, Genie. I had a 2-line BBS system to discuss science fiction. When I got access to the internet in 1987 I contacted other SF fans via email, forums, mailing lists, and USENET. I created the first version of The Classics of Science Fiction for a fanzine Lan’s Lantern. I reprinted it on a gopher server in the early 1990s, and right after the web was created I set up the first web version. This site is version 4.

I feel all of this communicating across the planet was a natural progression from publishing my first fanzine.

James Wallace Harris, March 27, 2019

 

How Many Hugo Award Winning Fanzines Can You Read Online?

 

Hugo winning fanzines

In the 1930s fans began publishing amateur magazines devoted to the science fiction genre. They were dubbed fanzines, as compared to prozines, where science fiction was published by professional writers and editors. Eventually, other pop culture fans created fanzines chronicling the subcultures of comics, horror movies, rock music, the counter-culture, etc.

In the 1950s when the Hugo awards began, a category for best fanzine was created. In recent years Retro Hugo voters looked back to the 1930s and 1940s, giving awards to now legendary titles that are almost impossible to find. Most fanzines had very small print runs. Reading them today reveals how readers of the past felt about science fiction, long before the genre became well known. Fanzines including gossip, feuds, nonfiction, fiction, poetry, art, letter columns, book reviews, and anything you’d read now on the web.

Since the advent of the internet, some fanzines have been digitized and put online. Fanac.org focuses on the fan history of the SF genre, especially fanzines from before 1980. eFanzines covers all kinds of zines, including current ones. The University of Iowa is digitizing 10,000 fanzines from Rusty Havelin’s collection. And ZineWiki is the encyclopedia of fanzine history. Fanzines chronicle the histories of subcultures. Fredric Wertham, M.D. who campaigned against comics in the 1950s as a negative influence on children, praised fanzines in the 1970s in his book The World of Fanzines, claiming they were a special form of creative communication.

Fanzines were the precursors to blogs and home pages. Fanzines allowed people to inter-network using postal services around the world. Access to a school ditto machine or an office Gestetner gave fans publishing power. The web, for the most part, killed off the fanzine because HTML serves the same purpose as the mimeograph, but cheaper and more efficiently.

A complete list of Hugo nominated fanzines and winners can be found at Wikipedia. Below are the fanzines that won the Hugo Awards. This is the smallest drop in the bucket compared to what was published. I’ve tried to find the best link possible to sample issues. In recent times the award for fanzines has gone to websites. The art of writing, editing, illustrating, and printing an amateur magazine is disappearing. Fanzines are still remembered by collectors who buy them on eBay and discussed on Facebook. However, they are disappearing quickly. Booksellers often refer to them as ephemera. I have been scanning a few issues of old zines and putting them on the Internet Archive, a library system that hopes to preserve everything that can be digitized. If you have old fanzines you might consider scanning them for IA. Especially if you believe your spouse will toss your collection in the recycle bin when you leave this world.

Retro Hugos

Hugos

  • 1955 – Fantasy Times (James V. Taurasi, Sr. and Ray Van Houten)
  • 1956 – Inside (Ron Smith), Science Fiction Advertiser (Ron Smith)
  • 1957 – Science-Fiction Times (James V. Taurasi, Sr., Ray Van Houten and Frank R. Prieto, Jr.)
  • 1959 – Fanac (Terry Carr, Ron Ellik)
  • 1960 – Cry of the Nameless (F. M. Busby, Elinor Busby, Burnett Toskey and Wally Weber)
  • 1961 – Who Killed Science Fiction? (Earl Kemp)
  • 1962 – Warhoon (Richard Bergeron)
  • 1963 – Xero (Richard and Pat Lupoff)
  • 1964 – Amra (George H. Scithers)
  • 1965 – Yandro (Robert and Juanita Coulson)
  • 1966 – ERB-dom (Camille Cazedessus, Jr.)
  • 1967 – Niekas (Edmund R. Meskys and Felice Rolfe)
  • 1968 – Amra (see 1965)
  • 1969 – Science Fiction Review (Richard E. Geis)
  • 1970 – Science Fiction Review (see 1968)
  • 1971 – Locus (Charles and Dena Brown)
  • 1972 – Locus (see 1971)
  • 1973 – Energumen (Michael Glicksohn and Susan Wood)
  • 1974 – The Alien Critic (Richard E. Geis)
  • 1975 – The Alien Critic (see 1974)
  • 1976 – Locus (see 1971)
  • 1977 – Science Fiction Review (see 1968)
  • 1978 – Locus (see 1971)
  • 1979 – Science Fiction Review (see 1968)
  • 1980 – Locus (see 1971)
  • 1981 – Locus (see 1971)
  • 1982 – Locus (see 1971)
  • 1983 – Locus (see 1971)
  • 1984 – File 770 (Mike Glyer)
  • 1985 – File 770 (see 1984)
  • 1986 – Lan’s Lantern (George “Lan” Laskowski)
  • 1987 – Ansible (David Langford)
  • 1988 – Texas SF Inquirer (Pat Mueller)
  • 1989 – File 770 (see 1984)
  • 1990 – The Mad 3 Party (Leslie Turek)
  • 1991 – Lan’s Lantern (see 1986)
  • 1992 – Mimosa (Richard Lynch and Nicki Lynch)
  • 1993 – Mimosa (see 1992)
  • 1994 – Mimosa (see 1992)
  • 1995 – Ansible (see 1987)
  • 1996 – Ansible (see 1987)
  • 1997 – Mimosa (see 1992)
  • 1998 – Mimosa (see 1992)
  • 1999 – Ansible (see 1987)
  • 2000 – File 770 (see 1984)
  • 2001 – File 770 (see 1984)
  • 2002 – Ansible (see 1987)
  • 2003 – Mimosa (see 1992)
  • 2004 – Emerald City (Cheryl Morgan)
  • 2005 – Plokta (Alison Scott, Steve Davies, and Mike Scott)
  • 2006 – Plokta (see 2005)
  • 2007 – Science-Fiction Five-Yearly (Lee Hoffman, Geri Sullivan, and Randy Byers)
  • 2008 – File 770 (see 1984)
  • 2009 – Electric Velocipede (John Klima)
  • 2010 – StarShipSofa (Tony C. Smith)
  • 2011 – The Drink Tank (Christopher Garcia and James Bacon)
  • 2012 – SF Signal (John DeNardo)
  • 2013 – SF Signal (John DeNardo, JP Frantz, and Patrick Hester)
  • 2014 – A Dribble of Ink (Aidan Moher)
  • 2015 – Journey Planet (James Bacon, Christopher J Garcia, Colin Harris, Alissa McKersie, and Helen J. Montgomery)
  • 2016 – File 770 (see 1984)
  • 2017 – Lady Business (Clare, Ira, Jodie, KJ, Renay, and Susan)
  • 2018 – File 770 (see 1984)

James Wallace Harris, March 22, 2019

The Winston Science Fiction Series

 

Winston-Science-Fiction-series

There are pleasures of the past you can buy — if you’re willing to pay the price. For some bookworms who got hooked on science fiction in the 1950s and 1960s, the Winston Science Fiction series aimed at children trigger an intense sense of nostalgia. However, I don’t believe it was the words in those 37 volumes that are burned into our memories, but the cover and endpaper art. Finding one of these stories reprinted without the art doesn’t set off those same intense emotions about the past, at least for me. I often wonder if nostalgia isn’t predominantly a visual thing. I’m in a number of Facebook groups where people are crazy about posting images of the past.

I never owned any of the Winston books as a kid, but got them from my school library, the Miami-Dade County Public Library, or from the Homestead Air Force Base library in the mid-1960s. There were three kinds of science fiction novels aimed at children that I remember from back then. The twelve Heinlein juveniles from Scribners, books by Andre Norton, and the Winston Science Fiction series. When I got my first job I ordered all the Heinlein books in hardback from the publisher. I wish I had ordered the Winston books at the time too. Those Winston books today in VG to Fine condition run hundreds of dollars each if they have the original dust jackets.

Mists of Dawn by Chad Oliver Another important visual bond with these books was the endpaper art that was part of most of the first editions by Alex Schomburg. In fact, this artwork can set off a flurry of comments on the Facebook groups Space Opera Pulp and Science Fiction Book Club. It seems to capture the essence of 1950s science fiction. And it’s a shame that all hardback books don’t all have endpaper art. The Heinlein juveniles did have beautiful endpapers, but just a star pattern, not like the sense-of-wonder artwork below.

Winston_Endpaper For many years I’d keep an eye out for the Winston Science Fiction books when I shopped at used bookstores. I never saw any. I eventually assume they were all owned by collectors. A few years ago my friend Mike found The Ant Men by Eric North at a library book sale in good condition but without a dust jacket. I was envious of him for his luck. We then found WinstonSciFi that sells reproductions of the dust jackets at very reasonable prices. Now his copy of The Ant Men looks like this one:

The Ant Men by Eric North

The other day Mike and I were shopping at a used bookstore and found a Dover reprint of The Ant Men by Eric North. It had a stylised version of the cover that was okay, but what really shouted at me to buy the book was the original Schomburg endpaper art. I didn’t buy it because the book’s cover looked wrong. I’m still tempted to go back to get it because of the endpaper art.

Last year I discovered that many titles in the Winston Science Fiction series were being sold on Amazon as ebook and trade paperback reprints and they used the original cover art (but not the endpaper art). I ordered one just to check it out, Rockets to Nowhere by Lester del Rey. The publisher of these reprints is Dan Thompson of Thunderchild Publishing from Huntsville, Alabama. He also offers a reprint of The Ant Men with the original cover. You can read about how Dan got into reprinting vintage science fiction here. Like me, Dan also read the Heinlein and Andre Norton books growing up. He discovered that most of the Winston books were out-of-print and thought that was a shame, so he got into the publishing business. A few were in the public domain, but for most, he had to track down the copyright holders to arrange contracts for reprinting. He’s been able to reprint many but not all of the series in both ebook and trade paper editions.

Even though I’d love to own a mint condition original copy of Rockets to Nowhere, having Dan’s trade paperback reprint visually fulfills my nostalgic needs.

Rockets-to-Nowhere---both-editions

Of course, I would prefer to own the 1st-edition, but I don’t want to spend $200. $7.99 is a great compromise between my eyes and my bank account.

If you’d like to see what the other covers look like for the entire series, check out Worlds Without End. Publication history and other details can be found at ISFDB.org.

The-Year-When-Stardust-FellSome of these books have never been reprinted, and for some, Thunderchild is the first publisher since Winston to publish them. Which makes me wonder just how good are these stories? I decided to give one a read, but the one I picked wasn’t from Thunderchild. I’ve been wanting to read some Raymond F. Jones, but I now prefer to listen to books. The Year When Stardust Fell was the first one I could find on audio. I got it for $2.99 at Audible.com because I bought the 99 cent ebook edition at Amazon. Thunderchild also sells an ebook and trade paper of this title, and I might get it too because of the cover.

These stories were aimed at children, sometimes even targeted to elementary school kids, but mostly to junior and senior high. I found this story far more adult than I remembered. I don’t think I read The Year When Stardust Fell as a kid, but I had a couple of Deja vu experiences while listening to it. The story is about when Earth passes through a comet’s tail and its dust affects metals, so eventually, all machinery breaks down. Civilization slowly collapses. The story is told from the point of view of Ken Maddox who lives in Mayfield in an unspecified state. Ken’s father is a chemistry professor at a local university. Because of Mayfield being isolated, it’s citizens are able to survive with rationing while in larger cities millions die. As the story progresses the people of Mayfield must learn to live with less and less, and even deal with the moral problem of lifeboat ethics.

Ken and his science club buddies run a ham radio rig that stays in touch with other research sites who are trying to solve the problem of the dust affecting metals. Ken and his buddies also help his father in the lab. This allows the story to emphasize the workings of science. I found the tale thoroughly engaging. It’s not great, but it’s not bad either. To me, it holds up well with other 1950s science fiction stories. In fact, I was always anxious to get back to the story. But then, after-the-collapse stories are among my favorite kind of science fiction story.

Winston-Science-Fiction-at-eBay

To be honest, I can’t remember any of the details from the books I think I read. Of course, I read these stories 55 years ago. I’ll have to read several more to see if I think the series deserves to be remembered for its fiction. What I’m discovering is I want these books because of their physical artistic appeal that trigger my nostalgia. I saw a group of 8 of them on sale at eBay today for $300. The idea of holding those old books again is very tempting, even though $300 could probably get me “reading copies” of the entire series if I shopped carefully. A reading copy in used book terminology meaning its beat to hell but you can still read it. I could get most of them as ebooks for less than $100, and all of Thunderchild trade paper editions for under $300.

Dan says these books aren’t big sellers. It’s probably hard to market books for kids in the 1950s to kids or nostalgic adults in the 2010s. I wonder what will happen to these stories when the baby boomers all die off. I doubt any of them will ever be considered classics of the genre. It’s a shame that Thunderchild doesn’t have the right to publish the entire series again as one uniform set so they might have collector appeal.

Here the complete list of titles with cover artists. My favorites tend to be the ones with Alex Schomburg cover paintings. Links are to Thunderbird trade editions at Amazon.

  1. EarthboundMilton Lesser, cover by Peter Poulton (1952)
  2. Find the Feathered Serpent, Evan Hunter, cover Henry Sharp (1952)
  3. Five Against Venus, Philip Latham (Robert S. Richardson), cover Virgil Finlay (1952)
  4. Islands in the Sky, Arthur C. Clarke, cover Alex Schomburg (1952)
  5. Marooned on Mars, Lester del Rey, cover Paul Orban (1952)
  6. Mists of Dawn, Chad Oliver, cover Alex Schomburg (1952)
  7. Rocket Jockey, Philip St. John (Lester del Rey), cover Alex Schomburg (1952)
  8. Son of the Stars, Raymond F. Jones, cover Alex Schomburg (1952)
  9. Sons of the Ocean Deeps, Bryce Walton, cover Paul Orban (1952)
  10. Vault of the Ages, Poul Anderson, cover Paul Orban (1952)
  11. Attack from Atlantis, Lester del Rey, cover Kenneth S. Fagg (1953)
  12. Battle on Mercury, Erik Van Lhin (Lester del Rey), cover Kenneth S. Fagg (1953)
  13. Danger: Dinosaurs!, Richard Marsten (Evan Hunter), cover Alex Schomburg (1953)
  14. Missing Men of Saturn, Philip Latham, cover Alex Schomburg (1953)
  15. The Mysterious Planet, Kenneth Wright (Lester del Rey), cover Alex Schomburg (1953)
  16. Mystery of the Third Mine, Robert W. Lowndes, cover Kenneth S. Fagg (1953)
  17. Planet of Light, Raymond F. Jones, cover Alex Schomburg (1953)
  18. Rocket to Luna, Richard Marsten (Evan Hunter), cover by Alex Schomburg (1953)
  19. The Star Seekers, Milton Lesser, cover Paul Calle (1953)
  20. Vandals of the Void, Jack Vance, cover Alex Schomburg (1953)
  21. Rockets to Nowhere, Philip St. John (Lester Del Rey), cover Alex Schomburg (1954)
  22. The Secret of Saturn’s Rings, Donald A. Wollheim, cover Alex Schomburg (1954)
  23. Step to the Stars, Lester del Rey, cover Alex Schomburg (1954)
  24. Trouble on Titan, Alan E. Nourse, cover Alex Schomburg (1954)
  25. The World at Bay, Paul Capon, cover Alex Schomburg (1954)
  26. The Year After Tomorrow, eds. Lester del Rey, Cecile Matschat, and Carl Carmer cover and interior illus. Mel Hunter (1954) – an anthology of nine short stories
  27. The Ant Men, Eric North, cover Paul Blaisdell (1955)
  28. The Secret of the Martian Moons, Donald A. Wollheim, cover Alex Schomburg (1955)
  29. The Lost Planet, Paul Dallas, cover Alex Schomburg (1956)
  30. Mission to the Moon, Lester del Rey, cover Alex Schomburg (1956)
  31. Rockets Through Space, Lester del Rey, cover and interior illus. James Heugh (1957) – Special Companion Book (nonfiction)
  32. The Year When Stardust Fell, Raymond F. Jones, cover James Heugh (1958)
  33. The Secret of the Ninth Planet, Donald A. Wollheim, cover James Heugh (1959)
  34. The Star Conquerors, Ben Bova, cover Mel Hunter (1959)
  35. Stadium Beyond the Stars, Milton Lesser, cover Mel Hunter (1960)
  36. Moon of Mutiny, Lester del Rey, cover Ed Emshwiller (1961)
  37. Spacemen, Go Home, Milton Lesser, cover Ed Emshwiller (1961)

JWH

New Feature: Build Your Own List

 

New feature

You can now build your own lists from our data. Be aware that our data is a very limited subset of science fiction books and short stories — just the most recommended and remembered stories.

You can always find this new feature under:

Home MenuBuild Your Own Classics of Science Fiction Lists

This landing page explains what you need to know and gives the link to the database system.

James Wallace Harris 12/18/18

Audible Has A Fantastic Collection of Baby Boomer Science Fiction

The Fourth R by George O. Smith

For several years now (2017, 2016, 2015), I’ve created wish-lists of wanted audiobook editions of classic science fiction stories. My hope is publishers would see my lists and produce those titles on audio. I doubt they ever have, but every year a few more classic science fiction books show up at Audible.com. They have done a fantastic job. Almost any title I read as a kid is now available to read with my ears. Nearly every book on The Classics of Science Fiction and Worlds Without End Top-Listed Books of All-Time lists are available on audio. And I think that validates those stories.

Starting in 2002 when I joined Audible.com I’d scan the new releases daily always hoping to find my favorite science fiction stories from my Golden Age years, the books Baby Boomers now consider the classic of the genre.  Each year it gets harder to find titles that haven’t gotten the audiobook treatment. Here are some of the older science fiction titles that have shown up at Audible this past year:

  • Armageddon 2419 A.D. by Philip Francis Nowlan
  • Sleeping Planet (1965) by William R. Burkett, Jr.
  • The Troublemakers by George O. Smith
  • The Snail on the Slope by Arkady & Boris Strugatsky
  • Triplanetary (1934) by Edward E. Smith (magazine version)
  • This World is Taboo by Murray Leinster
  • The Sensitive Man by Poul Anderson
  • Masters of Space by Edward E. Smith & E. Everett Evans
  • The Silent Invaders by Robert Silverberg
  • Mercenary by Mack Reynolds
  • Catseye by Andre Norton
  • Storm by George R. Stewart
  • The Land of Always Night (Doc Savage) by Kenneth Robeson
  • The Golden Man (Doc Savage) by Kenneth Robeson
  • Planet Stories – March 1953 (magazine)
  • Planet Stories – Fall 1941 (magazine)
  • Rappaccini’s Daughter by Nathaniel Hawthorne
  • The Scarlett Plague by Jack London
  • With the Night Mail by Rudyard Kipling
  • As Easy as ABC by Rudyard Kipling
  • 2 B R 0 2 B by Kurt Vonnegut, Jr.
  • Sci-Fi Shorts volumes 1-6 (public domain)
  • Future Eves: Classic Science Fiction About Women by Women edited by Jean Marie Stine
  • Pink Winds, Green Cats, Radiant Rocks & Other Classics by the Forgotten Woman of Science Fiction’s Golden Age by Frances Deegan

As any diehard mid-century Sci-Fi fan knows, Audible is scraping the bottom of the barrel. They did (accidentally I’m sure) grant a few of my wishes from last year:

  • The Demolished Man by Alfred Bester
  • The Stars My Destination by Alfred Bester
  • Rogue Moon By Algis Budrys
  • The Einstein Intersection by Samuel R. Delany
  • Grass by Sherri Tepper

Not very many, but they were heavy hitters that were overlooked. I realize now that many of my wishes were unrealistic because reprinting old anthologies on audio probably involve significant copyright problems. And I’m starting to doubt there’s a market for short fiction SF on audio anyway, but even then, I got to listen to the three-volume The Science Fiction Hall of Fame. That made 2018 a great year for science fiction on audio. The first volume is probably the most popular science fiction anthology of all-time.

The Long Loud Silence by Wilson Tucker

I’ve decided to make this the last year for wishing for old science fiction on audio. I’m going to make one last roundup of what I’d love to hear and then go off to listen to all the great SF books already sitting in my Audible library. I’ve purchased more than I can listen to in my expected remaining lifetime. This year I’m going to mostly aim for books that publishers should have an easier time acquiring the rights, either novels or single author collections.

I love hearing science fiction read to me by great narrators. And because I study the history of science fiction, there are many rare titles on I want to hear. But I doubt many others do. Sure, there a bunch of us old SF fans rereading our favorite science fiction from our formative years by listening to their audiobook editions, but I don’t know how big that market is, and in any case, we’re a dying audience. I believe Audible and its allied publishers have found pretty much all the old science fiction that was once popular before the year 2000.

Still, there are books I want to hear, and there are science fiction authors from the past that never had anything reprinted in audio, such as Zenna Henderson or William Tenn, or other writers that have had little of their work represented. I still yearn to hear classic science fiction short stories, but I know copyright issues probably make them difficult to reprint. However, I still love to hear three SF anthologies that I believe would significantly cover the history of the science fiction short story if they were produced for audio: Adventures in Time and Space (1946) edited by Raymond J. Healy & J. Francis McComas, Dangerous Visions (1967) edited by Harlan Ellison, and The Big Book of Science Fiction (2016) edited by Jeff and Ann VanderMeer. Links are to ISFDB.org to show their table of contents. But I doubt they will ever get an audio production now.

67 Books I Want to Hear In My 67th Year

  1. A Voyage to Arcturus (1920) by David Lindsay
  2. The World of Null-A (1948) by A. E. Van Vogt
  3. The Voyage of the Space Beagle (1950) by A. E. Van Vogt
  4. The Legion of Time (1952) by Jack Williamson
  5. The Long Loud Silence (1952) by Wilson Tucker
  6. Marooned on Mars (1952) by Lester del Rey
  7. Bring the Jubilee (1953) by Ward Moore
  8. Children of the Atom (1953) Wilma H. Shiras
  9. A Mirror for Observers (1954) by Edgar Pangborn
  10. Mission of Gravity (1954) by Hal Clement
  11. Cities in Flight (1955) by James Blish
  12. Citizen in Space (1955) by Robert Sheckley
  13. Rocket to Limbo (1957) by Alan E. Nourse
  14. Wasp (1957) by Eric Frank Russell
  15. The Enemy Stars (1958) Poul Anderson
  16. The Lincoln Hunters (1958) by Wilson Tucker
  17. The Fourth “R” (1959) by George O. Smith
  18. The High Crusade (1960) by Poul Anderson
  19. Hothouse (1962) by Brian W. Aldiss
  20. Second Ending (1962) by James White
  21. Davy (1964) by Edgar Pangborn
  22. Simulacron-3 (1964) by Daniel Galouye
  23. Earthblood (1966) by Keith Laumer and Rosel George Brown
  24. Empire Star (1966)
  25. The Witches of Karres (1966) by James H. Schmitz
  26. Lords of the Starship (1967) by Mark S. Geston
  27. Camp Concentration (1968) by Thomas Disch
  28. Of Men and Monsters (1968) William Tenn
  29. Omnivore (1968) Piers Anthony
  30. Past Master (1968) by R. A. Lafferty
  31. Space Chanty (1968) by R. A. Lafferty
  32. The Last Starship from Earth (1968) by John Boyd
  33. The Still, Small Voice of Trumpets (1968) by Lloyd Biggle, Jr.
  34. Behold the Man (1969) by Michael Moorcock
  35. Bug Jack Barron (1969) by Norman Spinrad
  36. Macroscope (1969) by Piers Anthony
  37. And Chaos Died (1970) by Joanna Russ
  38. The Year of the Quiet Sun (1970) by Wilson Tucker
  39. The Doors of His Face, The Lamps of His Mouth (1971) by Roger Zelazny
  40. The Fifth Head of Cerberus (1972) by Gene Wolfe
  41. The Listeners (1972) by James Gunn
  42. The Continuous Katherine Mortenhoe (The Unsleeping Eye) (1973) by D. G. Compton
  43. The Centauri Device (1974) by M. John Harrison
  44. Orbitsville (1975) by Bob Shaw
  45. The Female Man (1975) by Joanna Russ
  46. The Shockwave Rider (1975) by John Brunner
  47. Trouble on Triton (1976) by Samuel R. Delany
  48. On Wings of a Song (1979) by Thomas M. Disch
  49. Ridley Walker (1980) by Russell Hoban
  50. No Enemy But Time (1982) by Michael Bishop
  51. Native Tongue (1984) by Suzette Haden Elgin
  52. Ancient of Days (1985) by Michael Bishop
  53. The Falling Woman (1986) by Pat Murphy
  54. Mindplayers (1988) by Pat Cadigan
  55. Her Smoke Rose Up Forever (1990) by James Tiptree, Jr.
  56. A Woman of the Iron People (1991) by Eleanor Arnason
  57. Sarah Canary (1991) – Karen Joy Fowler
  58. Synners (1991) by Pat Cadigan
  59. China Mountain Zhang (1992) by Maureen F. McHugh
  60. Ammonite (1993) by Nicola Griffith
  61. Galatea 2.2 (1995) by Richard Powers
  62. Ingathering: The Complete People Stories of Zenna Henderson (1995)
  63. Holy Fire (1996) by Bruce Sterling
  64. The Book of the Long Sun (1993-96) by Gene Wolfe
  65. Aye, and Gomorrah (2003) by Samuel R. Delany
  66. Store of the Worlds (2012) by Robert Sheckley
  67. The Future is Female (2018) edited by Lisa Yaszek

The Last Starship From Earth by John Boyd
— James Wallace Harris 11/15/18

In Praise of Mediocre Science Fiction

IF Magazine May 1954

The word “mediocre” usually presents a negative connotation. But the word can mean ordinary, average, middle-of-the-road which if you think about it, is true for most things in our lives. Not everything in life can be exceptional. Statistically, most aspects must be run-of-mill common. We don’t like to believe this, but most of us lead mediocre lives. We wish our time on Earth could be as important as a classic novel, but we’re goddamn lucky if we can say we’ve had a good average life.

This essay was originally going to be called “Favorite Science Fiction Stories Volumes 1-10 Table of Contents.” I love Audible.com, but it often annoys me by selling anthologies without listing their individual entries. I recently stumbled upon this series and thought I’d provide a public service by listing the contents of all ten volumes. I was hesitant to even try these audiobooks because the so few stories I saw listed were famous.

I couldn’t find much about the publisher, Jimcin. It’s web page merely states its products are for sale at Audible.com, although these anthologies are also listed at Amazon and iTunes. They appear to be collections of out-of-copyright stories, which means they are older than the 1920’s or the authors or author’s heirs never bothered to renew the original copyright. In other words, they might be the dregs of the genre. The ten volumes do contain a few big-name-authors, and a handful of classic science fiction stories like “The Machine Stops” by E. M. Forster, “The Martian Odyssey” by Stanley G. Weinbaum, and “Scanners Live in Vain” by Cordwainer Smith. Those three stories also appear in the legendary Science Fiction Hall of Fame anthology series which came out in audio this past year. But for the most part, these stories were the common, run-of-the-mill stories that filled the science fiction digests in the 1950’s and 1960’s.

There’s a certain fun quality to science fiction that doesn’t require literary greatness. In the middle of last century, hack writers churned out Sci-Fi tales to survive. Many of them could hammer out a story in a few days that could both excite geeky fans and pay the rent. All they had to do was come up with an idea that 12-year-old know-it-alls had never encountered. Hardcore science fiction lovers thought of themselves as Slans but often blowing their minds only took one hit on the science fiction bong.

I avoided buying these Jimcin anthologies for years because I thought they’d be crappy, but then four volumes went on sale and I took a chance. I’ve been pleasantly surprised. Yes, they are mediocre, but they also have a unique entertainment quality. Just my kind of fun. If you love episodes of the old Twilight Zone TV series, there’s a good chance you’ll enjoy these stories too.

I crave science fiction short stories on audio. Somehow, short stories come alive for me when I listen, especially when they’re read by a narrator who adds dramatic voices. Oh, I still love to read, but I admit I’m a poor reader compared to these hired guns. It’s the narrators who add the extra dimension. And these ten volumes are a time capsule of what it’s like to have been a kid back in the 1950’s and 1960’s who loved science fiction.

My goal here is to promote more audio productions of short science fiction. I need to get more people buying audiobook science fiction anthologies so publishers will feel the demand and publish more of them. Most of you will not rush out and buy one of these Favorite Science Fiction Stories anthologies, especially after I called them mediocre, but I wanted to be as honest as possible.

I’m going to list the table of contents to all ten volumes and provide links to some of the stories I’ve found on YouTube, so you can hear what I’m talking about. These are public domain stories you can find online for free, especially at places like Project Gutenberg and YouTube. I don’t think the audio versions below are the same as the ones in the anthologies, but I’ve only tested a handful of stories. I’m not trying to ruin Jimcin’s sales but promote them. It’s far more convenient to listen to them on your smartphone than to listen to them on YouTube. But try a few to see why you should buy a whole anthology.

There are many public domain science fiction stories in audio available on the web. Often, they are from LibriVox, which use volunteer readers. LibriVox readers are good and provide a great public service, but they don’t usually provide the kind of dramatic narration I’m talking about. The stories I link to below have at least a basic level of professionalism, and some of them are excellent. I don’t know if these recordings are from copyrighted productions or if they’re productions by would-be audiobook narrators hoping to prove they can be professional.

My goal is to promote audio productions of short science fiction by expanding the audience. I want to see more anthologies of older science fiction for sale. Try some of these audio short stories to see if you get hooked, and if you do, then try one of the anthologies. 1 credit or $7-$10 is not that much for 15-20 hours of entertainment.

If you want to know more about audio science fiction, check out SFFAudio.com. They track and review both print and audio productions of public domain genre stories, as well as review professional productions of new and old stories.

I’ve bought 5 of the 10 volumes so far – see *. I’m getting a big kick out of listening to these stories. Yes, they are mediocre, but they capture a certain science fictional flavor from mid-20th-century. Be sure and read “The History of Science Fiction, and Why it Matters” by Allen Steele in the Nov-Dec 2018 issue of Asimov’s Science Fiction which just came out. Steele wonderfully explains why it’s important to read old science fiction.

Prices listed are from Amazon. Audible members might get a discount. These Favorite Sci-Fi Stories have been around for a decade, but I don’t know if they get much attention. These anthologies are not listed in ISFDB.org as far as I can tell. I wish they were. I’ve published this list of contents because I had a hard time finding this information.

Favorite Science Fiction Stories

Volume 1 (2009)* – $10.95

  1. The Gifts of Asti“ by Andre Norton
  2. The Defenders” by Philip K. Dick
  3. “Earthmen Bearing Gifts” by Fredric Brown
  4. A Martian Odyssey” by Stanley G. Weinbaum
  5. This is Klon Calling” by Walter Sheldon
  6. Security” by Poul Anderson
  7. “The Perfectionists” by Arnold Castle
  8. “The Day Time Stopped Moving” by Bradner Buckner
  9. Image of the Gods” by Alan E. Nourse
  10. “Time and Time Again” by H. Beam Piper
  11. “The World Called Crimson” by Darius John Granger
  12. “Postmark Ganymede” by Robert Silverberg
  13. The Stars, My Brothers” by Edmond Hamilton
  14. 2 B R 0 2 B” by Kurt Vonnegut, Jr.
  15. “Belly Laugh” by Ivar Jorgensen
  16. Year of the Big Thaw” by Marion Zimmer Bradley
  17. The Machine Stops” by E. M. Forster
  18. “Pandemic” by J. F. Bone
  19. Bread Overhead” by Fritz Leiber
  20. “The Day of the Boomer Dukes” by Frederik Pohl
  21. Beyond Lies the Wub” by Philip K. Dick

Volume 2 (2010) – $10.95

  1. The Coffin Cure” by Alan Edward Nourse
  2. Cat and Mouse” by Ralph Williams
  3. The Blue Tower” by Evelyn E. Smith
  4. The Gift Bearer” by Charles Fontenay
  5. “History Repeats” by George Oliver Smith
  6. The Altar at Midnight” by C. M. Kornbluth
  7. Hall of Mirrors” by Fredric Brown
  8. The Answer” by H. Beam Piper
  9. “The Calm Man” by Frank Belknap Long
  10. The Next Logical Step” by Ben Bova
  11. Operation Haystack” by Frank Herbert
  12. Foundling on Venus” by John and Dorothy DeCourcy
  13. The Repairman” by Harry Harrison
  14. The Beast of Space” by F. E. Hardart
  15. The Big Trip Up Yonder” by Kurt Vonnegut, Jr.
  16. Where There’s Hope” by Jerome Bixby
  17. The Success Machine” by Henry Slesar
  18. Pythias” by Poul Anderson
  19. Two Plus Two Makes Crazy” by Walt Sheldon
  20. “Alien Offer” by Al Sevcik
  21. All Cats Are Gray” by Andre Norton
  22. Zen” by Jerome Bixby
  23. “The Unspecialist” by Murray Yaco
  24. The Sargasso of Space” by Edmond Hamilton
  25. “Flamedown” by H. B. Fyfe
  26. “Grove of the Unborn” by Lyn Vanable
  27. What Is He Doing in There?” by Fritz Leiber
  28. “The 4D Doodler” by Grapy Waldyte
  29. “Bad Medicine” by Robert Sheckley
  30. Dead Ringer” by Lester del Rey
  31. I’ll Kill You Tomorrow” by Helen Hubert

Volume 3 (2011) – $10.95

  1. “The Missing Link” by Frank Herbert
  2. Arm of the Law” by Harry Harrison
  3. No Moving Parts” by Murray F. Yaco
  4. The Hills of Home” by Alfred Coppell
  5. The Measure of a Man” by Gordon Randall Garrett
  6. The Hated” by Frederick Pohl
  7. “Salvage in Space” by Jack Williamson
  8. The Burning Bridge” by Poul Anderson
  9. The Crystal Crypt” by Philip K. Dick
  10. The Hour of Battle” by Robert Sheckley
  11. The Mathematicians” by Arthur Feldman
  12. “Crossroads of Destiny” by H. Beam Piper
  13. Homesick” by Lynn Venable
  14. “The Eyes Have it” by James McKimmey, Jr.
  15. “They Twinkled Like Jewels” by Philip Jose Farmer
  16. Old Rambling House” by Frank Herbert
  17. Youth” by Isaac Asimov
  18. “Navy Day” by Harry Harrison
  19. “Service with a Smile” by Charles Louis Fontenay
  20. “The Cosmic Express” by John Stewart Williamson
  21. The Moon is Green” by Fritz Leiber
  22. “Stopover Planet” by Robert E. Gilbert
  23. “Watchbird” by Robert Sheckley
  24. “Probability” by Louis Trimble
  25. “The Doorway” by Evelyn E. Smith
  26. The Stroke of the Sun” by Arthur C. Clarke
  27. The Velvet Glove” by Harry Harrison
  28. “The House from Nowhere” by Arthur Stangland
  29. The Tunnel Under the World” – Frederik Pohl

Volume 4 (2012) – $10.95

  1. Arena” by Fredric Brown
  2. “Mate in Two Moves” by Winston Marks
  3. Love Story” by Irving E. Cox
  4. “The Golden Man” by Philip K. Dick
  5. Advanced Chemistry” by Jack G. Huekels
  6. The Dueling Machine” by Ben Bova
  7. Time Enough at Last” by Lyn Venable
  8. “Sorry, Wrong Dimension” by Ross Rocklynne
  9. Duel on Syrtis” by Poul Anderson
  10. “The Gostak and the Doshes” by Miles J. Breuer
  11. Keep Your Shape” by Robert Sheckley
  12. “Home Is Where You Left It” by Stephen Marlowe
  13. “Planet of Dreams” by James McKimmer, Jr.
  14. Blessed Are the Meek” by G. C. Edmonson
  15. Incident on Route 12” by James Schmitz
  16. The Invader” by Alfred Coppel
  17. “Monkey on His Back” by Charles DeVet
  18. “Robots of the World Arise” by Mari Wolf
  19. A Woman’s Place” by Mark Clifton
  20. The K-Factor” by Harry Harrison
  21. The Hanging Stranger” by Philip K. Dick.

Volume 5 (2012)* – $6.95

  1. The Skull” by Phlip K. Dick
  2. Sam, This Is You” by Murray Leinster
  3. “Manners of the Age” by Horace Brown Fyfe
  4. Omnilingual” by H. Beam Piper
  5. “Heist Job on Theiser” by Gordan Randall Jarrett
  6. The Yillian Way” by Keith Laumer
  7. “The Ultimate Vice” by A. Bertram Chandler
  8. “Backlash” by Winston Marks
  9. “Adolescents Only” by Irving Cox
  10. Project Mastodon” by Clifford Simak
  11. “Sargasso of Lost Starships” by Poul Anderson
  12. The Dictator” by Milton Lesser
  13. The Misplaced Battleship” by Harry Harrison
  14. A Pail of Air” by Fritz Leiber
  15. “The Vilbar Party” by Evelyn E. Smith
  16. “The Servant Problem” by Robert F. Young

Volume 6 (2012)* – $6.95

  1. Perchance to Dream” by Richard Stockham
  2. “Father Image” by Robert Silverberg
  3. Tree, Spare That Woodman” by Dave Dryfoos
  4. “Disaster Revisited” by Darius John Granger
  5. Subversive” by Mack Reynolds
  6. “The Stutterer” by R. R. Merliss
  7. Infinite Intruder” by Alan E. Nourse
  8. “A Bottle of Old Wine” by Richard O. Lewis
  9. “B12’s Moon Glow” by Charles A. Sterns
  10. “A Logic Named Joe” by Murray Leinster
  11. No Strings Attached” by Lester del Rey
  12. The Street That Wasn’t There” by Clifford D. Simak
  13. “Regeneration” by Charley Dye
  14. “Wheels Within” by Charles V. Devett
  15. “The Lonely Ones”, by Edward W. Ludwig
  16. “The God in the Box” by Sewell Peaslee Wright
  17. “Scanners Live in Vain” by Cordwainer Smith
  18. “New Hire” by Dave Dryfoos
  19. “The Enormous Room” by H.L.Gold and Robert Kreps
  20. Turnover Point” by Alfred Coppel
  21. “Breeder Reaction” by Winston Marks

Volume 7 (2013)* – $5.95

  1. “The Ties That Bind” by Walter Miller, Jr.
  2. Toy Shop” by Harry Harrison
  3. Beyond the Walls of Sleep” by H. P. Lovecraft
  4. Victory” by Lester del Rey
  5. Accidental Death” by Peter Bailey
  6. The Color Out of Space” by H. P. Lovecraft
  7. “Cully” by Jack Eagan
  8. “The Statue” by Mari Wolf
  9. “Police Operation” by H. Beam Piper
  10. “See” by Edward G. Robles, Jr.
  11. “Thing of Beauty” by Damon Knight
  12. “A Scientist Rises” by Desmond Hall
  13. “The Small World of M-75” by Ed M. Clinton, Jr.
  14. “Two-Face” by Frank Belknap Long
  15. “Creature from Cleveland Depths” by Fritz Leiber

Volume 8 (2014)* – $6.95

  1. “The Last Days of Earth” by George C. Wallace
  2. “Contamination Crew” by Alan E. Nourse
  3. “The Memory of Mars” by Raymond F. Jones
  4. “A Traveler in Time” by August Derleth
  5. “The Colonists” by Raymond F. Jones
  6. “Doubletake” by Richard Wilson
  7. “Stamped Caution” by Raymond Z. Gallon
  8. “Success Story” by Robert Turner
  9. “Disqualified” by Charles L. Fauntenay
  10. “Say Hello for Me” by Frank W. Coggins
  11. “Witch of the Demon Seas” by Poul Anderson
  12. “The Last Two Alive” by Alfred Coppell
  13. “The Old Die Rich” by H. L. Gold
  14. “Ministry of Disturbance” by H. Beam Piper

Volume 9 (2016) – $6.95

  1. “The Concrete Mixer” by Ray Bradbury
  2. “Farewell to the Master” by Harry Bates
  3. “Bedside Manner” by William Morrison
  4. “The Inferiors” by Mari Wolf
  5. “The Aggravation of Elmer” by Robert Arthur
  6. “Conquest over Time” by Michael Shara
  7. “The Virgin of Valkarion” by Poul Anderson
  8. “No Charge for Alterations” by H. L. Gold
  9. “Greylorn” by Keith Laumer
  10. “The Other Now” by Murray Leinster
  11. “The Ambulance Made Two Trips” by Murray Leinster
  12. “The Fun They Had” by Isaac Asimov
  13. “Fondly Fahrenheit” by Alfred Bester
  14. “A Matter of Importance” by Murray Leinster

Volume 10 (2018) – $6.95

  1. “Adjustment Team” by Philip K. Dick
  2. “The Keeper” by H. Beam Piper
  3. “The Amazing Mrs. Mimms” by David C. Knight
  4. “The Girls from Earth” by Frank N. Robinson
  5. “The Man the Martians Made” by Frank Long
  6. “Pet Farm” by Roger Dee
  7. “A World of Talent” by Philip K. Dick
  8. “Shock Treatment” by Stanley Mullen
  9. “The Variable Man” by Philip K. Dick
  10. “The Players” by Everett Cole
  11. “Common Denominator” by John D. MacDonald
  12. “Survey Team” by Philip K. Dick
  13. “Medal of Honor” by Dallas McCord Reynolds
  14. “The Highest Treason” by Randall Garrett

 

– – James Wallace Harris (11/8/18)